dream

A vision beauteous as the morn,
With heavenly eyes and tresses streaming,
Slow glided o'er a field late shorn
Where walked a poet idly dreaming.
He saw her, and joy lit his face.
"Oh, vanish not at human speaking,"
He cried, "thou form of magic grace,
Thou art the poem I am seeking.

"I've sought thee long! I claim thee now---
My thought embodied, living, real."
She shook the tresses from her brow.
"Nay, nay!" she said, "I am ideal.
I am the phantom of desire---

O now that the genius of Bewick were mine,
And the skill which he learned on the banks of the Tyne.
Then the Muses might deal with me just as they chose,
For I'd take my last leave both of verse and of prose.

What feats would I work with my magical hand!
Book-learning and books should be banished the land:
And, for hunger and thirst and such troublesome calls,
Every ale-house should then have a feast on its walls.

The traveller would hang his wet clothes on a chair;

The Village Life, and every care that reigns
O'er youthful peasants and declining swains;
What labour yields, and what, that labour past,
Age, in its hour of languor, finds at last;
What form the real picture of the poor,
Demand a song--the Muse can give no more.

Fled are those times, when, in harmonious strains,
The rustic poet praised his native plains:
No shepherds now, in smooth alternate verse,
Their country's beauty or their nymphs' rehearse;

To E.M.S.


Here, where your garden fenced about and still is,
Here, where the unmoved summer air is sweet
With mixed delight of lavender and lilies,
Dreaming I linger in the noontide heat.

Of many summers are the trees recorders,
The turf a carpet many summers wove;
Old-fashioned blossoms cluster in the borders,
Love-in-a-mist and crimson-hearted clove.

All breathes of peace and sunshine in the present,
All tells of bygone peace and bygone sun,

Bix to Buxtehude to Boulez,
The little white dog on the Victor label
Listens long and hard as he is able.
It's all in a day's work, whatever plays.

From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He's man's-no-he's the Leiermann's best friend,

Or would be if hearing and listening were the same.
Does he hear? I fancy he rather smells
Those lemon-gold arpeggios in Ravel's
'Les jets d'eau du palais de ceux qui s'aiment.'

Not even in a dream
Should you have anything to do
With the little box

If you saw her full of stars once
You'd wake up
Without heart or soul in your chest

If you slid your tongue
Into her keyhole once
You'd wake up with a hole in your forehead

If you ground her to bits once
Between your teeth
You'd get up with a square head

If you ever saw her empty
You'd wake up
With a belly full of mice and nails

If in a dream you had anything to do
With the little box

Ah, who was it coloured that little frock, my child, and covered
your sweet limbs with that little red tunic?
You have come out in the morning to play in the courtyard,
tottering and tumbling as you run.
But who was it coloured that little frock, my child?
What is it makes you laugh, my little life-bud?
Mother smiles at you standing on the threshold.
She claps her hands and her bracelets jingle, and you dance
with your bamboo stick in your hand like a tiny little shepherd.

When he, who is the unforgiven,
Beheld her first, he found her fair:
No promise ever dreamt in heaven
Could have lured him anywhere
That would have nbeen away from there;
And all his wits had lightly striven,
Foiled with her voice, and eyes, and hair.

There's nothing in the saints and sages
To meet the shafts her glances had,
Or such as hers have had for ages
To blind a man till he be glad,
And humble him till he be mad.
The story would have many pages,
And would be neither good nor bad.

He sleeps on the top of a mast. - Bunyan


He sleeps on the top of a mast
with his eyes fast closed.
The sails fall away below him
like the sheets of his bed,
leaving out in the air of the night the sleeper's head.

Asleep he was transported there,
asleep he curled
in a gilded ball on the mast's top,
or climbed inside
a gilded bird, or blindly seated himself astride.

"I am founded on marble pillars,"
said a cloud. "I never move.
See the pillars there in the sea?"

Just how it came to rest where it rested,
miles out, miles from the last farmhouse even,
was a fair question. Dropped by hurricane
or aeroplane perhaps for some reason,
put down as a cairn or marker, then lost.
Tractor-size, six or seven feet across,
it was sloughed, unconscious, warm to the touch,
its gashed, rhinoceros, sea-lion skin
nursing a gallon of rain in its gut.
Lashed to the planet with grasses and roots,
it had to be cut. Stood up it was drunk
or slugged, wanted nothing more than to slump,