fire

A much-discerning Public hold
The Singer generally sings
And prints and sells his past for gold.

Whatever I may here disclaim,
The very clever folk I sing to
Will most indubitably cling to
Their pet delusion, just the same.


I had seen, as the dawn was breaking
And I staggered to my rest,
Tari Devi softly shaking
From the Cart Road to the crest.
I had seen the spurs of Jakko
Heave and quiver, swell and sink.
Was it Earthquake or tobacco,
Day of Doom, or Night of Drink?

OVER a slow-dying fire,
Dreaming old dreams, I am sitting;
The flames leap up and expire;
A woman sits opposite knitting.
I’ve taken a Fate to wife;
She knits with a half-smile mocking
Me, and my dreams, and my life,
All into a worsted stocking.

Oft when sweet music undulated round,
Like the full moon out of a perfumed sea
Thine image from the waves of blissful sound
Rose and thy sudden light illumined me.


And in the country, leaf and flower and air
Would alter and the eternal shape emerge;
Because they spoke of thee the fields seemed fair,
And Joy to wait at the horizon's verge.


The little cloud-gaps in the east that filled
Gray afternoons with bits of tenderest blue
Were windows in a palace pearly-silled

The gums in the gully stand gloomy and stark,
A torrent beneath them is leaping,
And the wind goes about like a ghost in the dark
Where a chief of Wahibbi lies sleeping!
He dreams of a battle -- of foes of the past,
But he hears not the whooping abroad on the blast,
Nor the fall of the feet that are travelling fast.
Oh, why dost thou slumber, Kooroora?

They come o'er the hills in their terrible ire,
And speed by the woodlands and water;
They look down the hills at the flickering fire,

An Elegy for Tristan Tzara

In the hungry kitchen
The dog sings for its dinner.
The housewife is writing her poem
On top of the frigidaire
Something like this:

    'Hear in the kitchen
    The crows fly home
    Into the red-robed trees
    That walk across the sky.

    Hear under the floor
    The three fountains rising and
    Trickling through the bridge
    Into the sea of poems.'

In the kitchen the housemother
Pours soup for her thousand children

Brother, I am fire
Surging under the ocean floor.
I shall never meet you, brother—
Not for years, anyhow;
Maybe thousands of years, brother.
Then I will warm you,
Hold you close, wrap you in circles,
Use you and change you—
Maybe thousands of years, brother.

Your attention, Thomas Rhodes, president of the bank;
Coolbaugh Wedon, editor of the Argus;
Rev. Peet, pastor of the leading church;
A.D. Blood, several times Mayor of Spoon River;
And finally all of you, members of the Social Purity Club--
Your attention to Cambronne's dying words,
Standing with heroic remnant
Of Napoleon's guard on Mount Saint Jean
At the battle field of Waterloo,
When Maitland, the Englishman, called to them:
"Surrender, brave Frenchmen!"--

It was the steamer Alice May that sailed the Yukon foam.
And touched in every river camp from Dawson down to Nome.
It was her builder, owner, pilot, Captain Silas Geer,
Who took her through the angry ice, the last boat of the year;
Who patched her cracks with gunny sacks and wound her pipes with wire,
And cut the spruce upon the banks to feed her boiler fire;
Who headed her into the stream and bucked its mighty flow,
And nosed her up the little creeks where no one else would go;

Yes! on the annals of my race,
In characters of flame,
Which time shall dim not nor deface,
I'll stamp, my deathless name.

The fire which on my vitals preys,
And inly smouldering lies,
Shall flash out to a meteor's blaze
And stream along the skies.

Clafed as the angry ocean's swell
My soul within me boils,
Like a chained monarch in his cell,
Or lion in the toils.

To wealth, to pride, to lofty state,
No more I'll bend the knee,
But Fortune's minions, meanly great,

Your voice, with clear location of June days,
Called me outside the window.You were there,
Light yet composed, as in the just soft stare
Of uncontested summer all things raise
Plainly their seeming into seamless air.

Then your love looked as simple and entire
As that picked pear you tossed me, and your face
As legible as pearskin's fleck and trace,
Which promise always wine, by mottled fire
More fatal fleshed than ever human grace.

And your gay gift—Oh when I saw it fall