future

I'll rest me in this sheltered bower,
And look upon the clear blue sky
That smiles upon me through the trees,
Which stand so thickly clustering by;
And view their green and glossy leaves,
All glistening in the sunshine fair;
And list the rustling of their boughs,
So softly whispering through the air.

And while my ear drinks in the sound,
My winged soul shall fly away;
Reviewing long departed years
As one mild, beaming, autumn day;

And soaring on to future scenes,

You have spoken the answer.
A child searches far sometimes
Into the red dust
On a dark rose leaf
And so you have gone far
For the answer is:
Silence.

In the republic
Of the winking stars
and spent cataclysms
Sure we are it is off there the answer
is hidden and folded over,
Sleeping in the sun, careless whether
it is Sunday or any other day of
the week,

Knowing silence will bring all one way or another.

Have we not seen
Purple of the pansy

This is the Arsenal. From floor to ceiling,
Like a huge organ, rise the burnished arms;
But front their silent pipes no anthem pealing
Startles the villages with strange alarms.

Ah! what a sound will rise, how wild and dreary,
When the death-angel touches those swift keys
What loud lament and dismal Miserere
Will mingle with their awful symphonies

I hear even now the infinite fierce chorus,
The cries of agony, the endless groan,
Which, through the ages that have gone before us,

ONCE more this Autumn-earth is ripe,
Parturient of another type.

While with the Past old nations merge
His foot is on the Future’s verge.

They watch him, as they huddle, pent,
Striding a spacious continent,

Above the level desert’s marge
Looming in his aloofness large.

No flower with fragile sweetness graced—
A lank weed wrestling with the waste;

Pallid of face and gaunt of limb,
The sweetness withered out of him;

Today the Masons are auctioning
their discarded pomp: a trunk of turbans,
gemmed and ostrich-plumed, and operetta costumes
labeled inside the collar "Potentate"
and "Vizier." Here their chairs, blazoned
with the Masons' sign, huddled
like convalescents, lean against one another

on the grass. In a casket are rhinestoned poles
the hierophants carried in parades;
here's a splendid golden staff some ranking officer waved,
topped with a golden pyramid and a tiny,
inquisitive sphinx. No one's worn this stuff

How still it is! Sunshine itself here falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.

What sound is that which echoes through the wood?

Hebrew writing and Arabic writing go from east to west,
Latin writing, from west to east.
Languages are like cats:
You must not stroke their hair the wrong way.
The clouds come from the sea, the hot wind from the desert,
The trees bend in the wind,
And stones fly from all four winds,
Into all four winds. They throw stones,
Throw this land, one at the other,
But the land always falls back to the land.
They throw the land, want to get rid of it.
Its stones, its soil, but you can't get rid of it.

Sweet love, sweet thorn, when lightly to my heart
I took your thrust, whereby I since am slain,
And lie disheveled in the grass apart,
A sodden thing bedrenched by tears and rain,
While rainy evening drips to misty night,
And misty night to cloudy morning clears,
And clouds disperse across the gathering light,
And birds grow noisy, and the sun appears
Had I bethought me then, sweet love, sweet thorn,
How sharp an anguish even at the best,
When all's requited and the future sworn,

This day, whate'er the Fates decree,
Shall still be kept with joy by me:
This day then let us not be told,
That you are sick, and I grown old;
Nor think on our approaching ills,
And talk of spectacles and pills.
To-morrow will be time enough
To hear such mortifying stuff.
Yet, since from reason may be brought
A better and more pleasing thought,
Which can, in spite of all decays,
Support a few remaining days:
From not the gravest of divines

The literate are ill-prepared for this
snap in the line of life:
the day turns a trick
of twisted tongues and is
untiable, the month by no mere root
moon-ridden, and the yearly eloquences yielding more
than summer's part of speech times four. We better learn

the buried meaning in the grave: here
all we see of its alphabet is tracks
of predators, all we know of its tense
the slow seconds and quick centuries
of sex. Unletter the past and then
the future comes to terms. One late fall day