E.C. Culbertson

Is it true, Spoon River,
That in the hall-way of the New Court House
There is a tablet of bronze
Containing the embossed faces
Of Editor Whedon and Thomas Rhodes?
And is it true that my successful labors
In the County Board, without which
Not one stone would have been placed on another,
And the contributions out of my own pocket
To build the temple, are but memories among the people,
Gradually fading away, and soon to descend
With them to this oblivion where I lie?
In truth, I can so believe.


Edgehill Fight

Naked and grey the Cotswolds stand
Beneath the summer sun,
And the stubble fields on either hand
Where Sour and Avon run.
There is no change in the patient land
That has bred us every one.

She should have passed in cloud and fire
And saved us from this sin
Of war--red war--'twixt child and sire,
Household and kith and kin,
In the heart of a sleepy Midland shire,
With the harvest scarcely in.

But there is no change as we meet at last
On the brow-head or the plain,


Each And All

Little thinks, in the field, yon red-cloaked clown,
Of thee, from the hill-top looking down;
And the heifer, that lows in the upland farm,
Far-heard, lows not thine ear to charm;
The sexton tolling the bell at noon,
Dreams not that great Napoleon
Stops his horse, and lists with delight,
Whilst his files sweep round yon Alpine height;
Nor knowest thou what argument
Thy life to thy neighbor's creed has lent:
All are needed by each one,
Nothing is fair or good alone.

I thought the sparrow's note from heaven,


Ecclesiastes 31-8

To every thing there is a season,
and a time to every purpose under the heaven:
A time to be born, a time to die;
a time to plant, and a time to pluck up that which is planted;
A time to kill, and a time to heal;
a time to break down, and a time to build up;
A time to weep, and a time to laugh;
a time to mourn, and a time to dance;
A time to cast away stones, and a time to gather stones together;
a time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose;


Eighteenth Sunday After Trinity

It is so--ope thine eyes, and see -
What viewest thou all around?
A desert, where iniquity
And knowledge both abound.

In the waste howling wilderness
The Church is wandering still,
Because we would not onward press
When close to Sion's hill.

Back to the world we faithless turned,
And far along the wild,
With labour lost and sorrow earned,
Our steps have been beguiled.

Yet full before us, all the while,
The shadowing pillar stays,
The living waters brightly smile,


Eight Sunday After Trinity

Prophet of God, arise and take
With thee the words of wrath divine,
The scourge of Heaven, to shake
O'er yon apostate shrine.

Where Angels down the lucid stair
Came hovering to our sainted sires
Now, in the twilight, glare
The heathen's wizard fires.

Go, with thy voice the altar rend,
Scatter the ashes, be the arm,
That idols would befriend,
Shrunk at thy withering charm.

Then turn thee, for thy time is short,
But trace not o'er the former way,
Lest idol pleasures court


Ego

Day passeth day in sunshine or shadow,
Night unto night each cycle is told;
Sun, moon and stars in whirling and glamour,
All unto all the creation unfold.

What of the strivings, what of the gropings,
Out from the darkness into the light?
What of the weepings, what of the grievings
Now from the day to the passionate night?

Stars of the stars, heavens of the heavens,
Rising or falling or pausing a span,
Each to the great "I am" replying
E'en as the crystal, e'en as man.


Effects At A Distance

The queen in the lofty hall takes her place,

The tapers around her are flaming;
She speaks to the page: "With a nimble pace

Go, fetch me my purse for gaming.

'Tis lying, I'll pledge,

On my table's edge."
Each nerve the nimble boy straineth,
And the end of the castle soon gaineth.

The fairest of maidens was sipping sherbet

Beside the queen that minute;
Near her mouth broke the cup,--and she got so wet!

The very devil seem'd in it

What fearful distress


Eclogues

Eclogue the First.

Whanne Englonde, smeethynge from her lethal wounde,
From her galled necke dyd twytte the chayne awaie,
Kennynge her legeful sonnes falle all arounde,
(Myghtie theie fell, 'twas Honoure ledde the fraie,)
Thanne inne a dale, bie eve's dark surcote graie,
Twayne lonelie shepsterres dyd abrodden flie,
(The rostlyng liff doth theyr whytte hartes affraie,)
And whythe the owlette trembled and dyd crie;
Firste Roberte Neatherde hys sore boesom stroke,
Then fellen on the grounde and thus yspoke.


Eclogue the Second Hassan

SCENE, the Desert TIME, Mid-day
10 In silent horror o'er the desert-waste
The driver Hassan with his camels passed.
One cruse of water on his back he bore,
And his light scrip contained a scanty store;
A fan of painted feathers in his hand,
To guard his shaded face from scorching sand.
The sultry sun had gained the middle sky,
And not a tree and not an herb was nigh.
The beasts with pain their dusty way pursue,
Shrill roared the winds and dreary was the view!


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