Uriconium an Ode

It lieth low near merry England's heart
Like a long-buried sin; and Englishmen
Forget that in its death their sires had part.
And, like a sin, Time lays it bare again
To tell of races wronged,
And ancient glories suddenly overcast,
And treasures flung to fire and rabble wrath.
If thou hast ever longed
To lift the gloomy curtain of Time Past,
And spy the secret things that Hades hath,
Here through this riven ground take such a view.
The dust, that fell unnoted as a dew,


Thoreau in Italy

Lingo of birds was easier than lingo of peasants-
they were elusive, though, the birds, for excellent reasons.
He thought of Virgil, Virgil who wasn't there to chat with.

History he never forgave for letting Latin
lapse into Italian, a renegade jabbering
musical enough but not enough to call music

So he conversed with stones, imperial and papal.
Even the preposterous popes he could condone
a moment for the clean arrogance of their inscriptions.

He asked the Italians only to leave him in the past


These Old Songs

grow in the mind,
their rhymes chiming endlessly
with the sound of feet walking
or rain falling or being taken up
by garden birds, one line at a time.

Landmarks, favourite stones,
reminders of moments
that only history makes important,
we hum them down to immortality

so that now they fence us in
with the faces of lost opportunities,
and all the moons and Junes that ever were
are meadow-larking above England.


Then Was My Neophyte

Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite,
Snail of man in His ship of fires
That burn the bitten decks,
Knew all His horrible desires
The climber of the water sex
Calls the green rock of light.

Who in these labyrinths,
This tidethread and the lane of scales,
Twine in a moon-blown shell,
Escapes to the flat cities' sails


The Wolf's Postcript to 'Little Red Riding Hood

First, grant me my sense of history:
I did it for posterity,
for kindergarten teachers
and a clear moral:
Little girls shouldn't wander off
in search of strange flowers,
and they mustn't speak to strangers.

And then grant me my generous sense of plot:
Couldn't I have gobbled her up
right there in the jungle?
Why did I ask her where her grandma lived?
As if I, a forest-dweller,
didn't know of the cottage
under the three oak trees
and the old woman lived there
all alone?


The Witch's frolic

[Scene, the 'Snuggery' at Tappington.-- Grandpapa in a high-backed cane-bottomed elbow-chair of carved walnut-tree, dozing; his nose at an angle of forty-five degrees,--his thumbs slowly perform the rotatory motion described by lexicographers as 'twiddling.'--The 'Hope of the family' astride on a walking-stick, with burnt-cork mustachios, and a pheasant's tail pinned in his cap, solaceth himself with martial music.-- Roused by a strain of surpassing dissonance, Grandpapa Loquitur. ]

Come hither, come hither, my little boy Ned!
Come hither unto my knee--


The Visit

I stand in quiet by the stream,
and wait for a key.
Either I was left behind or I
left something close;

a part of my life doesn't move.
There's a loss as if all
of history has been replayed
in the dramas lived here.

These horses don't know me,
and the epoch is new.
The fields are fields, the silver
air no truer than anything else.


The Vision of Judgment

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,


The Vision of Judgment

The Vision of Judgment
(notes)

BY

QUEVEDO REDIVIVUS



SUGGESTED BY THE COMPOSITION SO ENTITLED BY THE AUTHOR OF 'WAT TYLER'

'A Daniel come to judgment! yes a Daniel!
I thank thee, Jew for teaching me that word.'

PREFACE

It hath been wisely said, that 'One fool makes many;' and it hath been poetically observed —

'That fools rush in where angels fear to tread.' - Pope


The Village

Scarcely a street, too few houses
To merit the title; just a way between
The one tavern and the one shop
That leads nowhere and fails at the top
Of the short hill, eaten away
By long erosion of the green tide
Of grass creeping perpetually nearer
This last outpost of time past.

So little happens; the black dog
Cracking his fleas in the hot sun
Is history. Yet the girl who crosses
From door to door moves to a scale
Beyond the bland day's two dimensions.

Stay, then, village, for round you spins


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