house

Mournful groans, as when a tempest lowers,
Echo from the dreary house of woe;
Death-notes rise from yonder minster's towers!
Bearing out a youth, they slowly go;
Yes! a youth--unripe yet for the bier,
Gathered in the spring-time of his days,
Thrilling yet with pulses strong and clear,
With the flame that in his bright eye plays--
Yes, a son--the idol of his mother,
(Oh, her mournful sigh shows that too well!)
Yes! my bosom-friend,--alas my brother!--
Up! each man the sad procession swell!

Fond woman, which wouldst have thy husband die,
And yet complain'st of his great jealousy;
If swol'n with poison, he lay in his last bed,
His body with a sere-bark covered,
Drawing his breath, as thick and short, as can
The nimblest crocheting musician,
Ready with loathsome vomiting to spew
His soul out of one hell, into a new,
Made deaf with his poor kindred's howling cries,
Begging with few feigned tears, great legacies,
Thou wouldst not weep, but jolly and frolic be,
As a slave, which tomorrow should be free;

If Memnon's mother mourned, Achilles's mother mourned,
and our sad fates can touch great goddesses,
then weep, and loose your hair in grief you never earned,
Elegy, now ah! too much like your name.
That bard whose work was yours, who gave you fame, Tibullus,
burns on the mounded pyre, a lifeless corpse.
See Venus's boy, bearing his quiver upside down;
his bow is broken and his torch is quenched;
look how he goes dejected: his wings trail on the ground;
he smites his naked breast with violent hand;

Too proud to die; broken and blind he died
The darkest way, and did not turn away,
A cold kind man brave in his narrow pride

On that darkest day, Oh, forever may
He lie lightly, at last, on the last, crossed
Hill, under the grass, in love, and there grow

Young among the long flocks, and never lie lost
Or still all the numberless days of his death, though
Above all he longed for his mother's breast

Which was rest and dust, and in the kind ground
The darkest justice of death, blind and unblessed.

The page opens to snow on a field: boot-holed month, black hour
the bottle in your coat half voda half winter light.
To what and to whom does one say yes?
If God were the uncertain, would you cling to him?

Beneath a tattoo of stars the gate open, so silent so like a tomb.
This is the city you most loved, an empty stairwell
where the next rain lifts invisibly from the Seine.

With solitude, your coat open, you walk
steadily as if the railings were there and your hands weren't passing
through them.

And as long as I don’t see
You on the television
Or I don’t hear about
You on the radio

Or I don’t even read about
You on the national newspapers
Everything you are telling me
That it is happing to you

I would consider them
As a pure fantasy
As a pigmentation of your
Own imagination

I can even go as far as
To advice you to become a novelist
I can even get angry
If you still persist to talk to me

About the all situation
If you still want me to believe you

We stand about this place -- we, the memories;
And shade our eyes because we dread to read:
"June 17th, 1884, aged 21 years and 3 days."
And all things are changed.
And we -- we, the memories, stand here for ourselves alone,
For no eye marks us, or would know why we are here.
Your husband is dead, your sister lives far away,
Your father is bent with age;
He has forgotten you, he scarcely leaves the house
Any more.
No one remembers your exquisite face,
Your lyric voice!

Is it true, Spoon River,
That in the hall-way of the New Court House
There is a tablet of bronze
Containing the embossed faces
Of Editor Whedon and Thomas Rhodes?
And is it true that my successful labors
In the County Board, without which
Not one stone would have been placed on another,
And the contributions out of my own pocket
To build the temple, are but memories among the people,
Gradually fading away, and soon to descend
With them to this oblivion where I lie?
In truth, I can so believe.

It fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
'We maun draw to a hauld.

'And whatna hauld sall we draw to,
My merry men and me?
We will gae to the house of the Rodes,
To see that fair ladye.'

The lady stood on her castle wa',
Beheld baith dale and down;
There she was aware of a host of men
Came riding towards the town.

'O see ye not, my merry men a',
O see ye not what I see?
Methinks I see a host of men;
I marvel who they be.'

It fell about the Martinmas,
   When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,
   'We maun draw to a hauld.

'And what a hauld sall we draw to,
   My merry men and me?
We will gae to the house o' the Rodes,
   To see that fair ladye.'

The lady stood on her castle wa',
   Beheld baith dale and down;
There she was ware of a host of men
   Cam riding towards the town.

'O see ye not, my merry men a',
   O see ye not what I see?
Methinks I see a host of men;