Teaching XVIII

Then said a teacher, "Speak to us of Teaching."

And he said:

No man can reveal to you aught but that which already lies half asleep in the dawning of our knowledge.

The teacher who walks in the shadow of the temple, among his followers, gives not of his wisdom but rather of his faith and his lovingness.

If he is indeed wise he does not bid you enter the house of wisdom, but rather leads you to the threshold of your own mind.


Taxi Suite excerpt 1. After Anacreon

When I drive cab
I am moved by strange whistles and wear a hat

When I drive cab
I am the hunter. My prey leaps out from where it
hid, beguiling me with gestures

When I drive cab
all may command me, yet I am in command of all who do

When I drive cab
I am guided by voices descending from the naked air

When I drive cab
A revelation of movement comes to me. They wake now.
Now they want to work or look around. Now they want
drunkenness and heavy food. Now they contrive to love.


Tasso Dying

What festival is ancient Rome preparing?
Where flow the crowds in noisy waves?
Why these aromas, myrrh's sweet smoke
And censers all around abrim with fragrant herbs?
From Capitoline Hill to Tiber's waves,
Above universal city's streets,
Why are the priceless rugs and purple stuffs
Spread among garlands, laurels?
Why all this noise? The crash and thump of timpani?
Are these heralds of joy or triumph?
Why wearing the miter hastes the holy father
With gonfalon to the prayer house?


Tasker Norcross

“Whether all towns and all who live in them—
So long as they be somewhere in this world
That we in our complacency call ours—
Are more or less the same, I leave to you.
I should say less. Whether or not, meanwhile,
We’ve all two legs—and as for that, we haven’t—
There were three kinds of men where I was born:
The good, the not so good, and Tasker Norcross.
Now there are two kinds.”

“Meaning, as I divine,
Your friend is dead,” I ventured.

Ferguson,
Who talked himself at last out of the world


Sweet are the Thoughts that Savour of Content

Sweet are the thoughts that savour of content;
The quiet mind is richer than a crown;
Sweet are the nights in careless slumber spent;
The poor estate scorns fortune's angry frown:
Such sweet content, such minds, such sleep, such bliss,
Beggars enjoy, when princes oft do miss.

The homely house that harbours quiet rest;
The cottage that affords no pride nor care;
The mean that 'grees with country music best;
The sweet consort of mirth and music's fare;


Susie

My daughter Susie, aged two,
Apes me in every way,
For as my household chores I do
With brooms she loves to play.
A scrubbing brush to her is dear;
Ah! Though my soul it vex,
My bunch of cuteness has, I fear,
Kitchen complex.

My dream was that she might go far,
And play or sing or dance;
Aye, even be a movie star
Of glamour and romance.
But no more with such hope I think,
For now her fondest wish is
To draw a chair up to the sink


SweetsafeHouses

457

Sweet—safe—Houses—Glad—gay—Houses—
Sealed so stately tight—
Lids of Steel—on Lids of Marble—
Locking Bare feet out—

Brooks of Plush—in Banks of Satin
Not so softly fall
As the laughter—and the whisper—
From their People Pearl—

No Bald Death—affront their Parlors—
No Bold Sickness come
To deface their Stately Treasures—
Anguish—and the Tomb—

Hum by—in Muffled Coaches—
Lest they—wonder Why—
Any—for the Press of Smiling—
Interrupt—to die—


Talking to Patrizia

Patrizia doesn't want to
Talk about love she
Says she just
Wants to make
Love but she talks
About it almost endlessly to me.

It is horrible it
Is the worst thing in life
Says Patrizia
Nothing
Not death not sickness
Is as bad as love

I am always
In love I am always
Suffering from love
Says Patrizia. Now
I am used to it
But I am suffering all the same

Do you know what I did to her
Once?--speaking
Of her girlfriend--I kicked her out


Talking to Grief

Ah, Grief, I should not treat you
like a homeless dog
who comes to the back door
for a crust, for a meatless bone.
I should trust you.

I should coax you
into the house and give you
your own corner,
a worn mat to lie on,
your own water dish.

You think I don't know you've been living
under my porch.
You long for your real place to be readied
before winter comes. You need
your name,
your collar and tag. You need
the right to warn off intruders,
to consider


Taking Off Emily Dickinson's Clothes

First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.

And her bonnet,
the bow undone with a light forward pull.

Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer's dividing water,
and slip inside.

You will want to know
that she was standing
by an open window in an upstairs bedroom,


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