“Whether all towns and all who live in them—
So long as they be somewhere in this world
That we in our complacency call ours—
Are more or less the same, I leave to you.
I should say less. Whether or not, meanwhile,
We’ve all two legs—and as for that, we haven’t—
There were three kinds of men where I was born:
The good, the not so good, and Tasker Norcross.
Now there are two kinds.”

“Meaning, as I divine,
Your friend is dead,” I ventured.

Ferguson,
Who talked himself at last out of the world

Patrizia doesn't want to
Talk about love she
Says she just
Wants to make
Love but she talks
About it almost endlessly to me.

It is horrible it
Is the worst thing in life
Says Patrizia
Nothing
Not death not sickness
Is as bad as love

I am always
In love I am always
Suffering from love
Says Patrizia. Now
I am used to it
But I am suffering all the same

Do you know what I did to her
Once?--speaking
Of her girlfriend--I kicked her out
I literally kicked her she was down on the floor and I

Ah, Grief, I should not treat you
like a homeless dog
who comes to the back door
for a crust, for a meatless bone.
I should trust you.

I should coax you
into the house and give you
your own corner,
a worn mat to lie on,
your own water dish.

You think I don't know you've been living
under my porch.
You long for your real place to be readied
before winter comes. You need
your name,
your collar and tag. You need
the right to warn off intruders,
to consider
my house your own
and me your person

First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.

And her bonnet,
the bow undone with a light forward pull.

Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer's dividing water,
and slip inside.

You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,

Have thanks for all from our childhood's day,
Our play together in woodland roaming.
I thought that play would go on for aye,
Though life should pass to its gloaming.

I thought that play would go on for aye,
From bowers leading of leafy birches
To where the Solbakke houses lay,
And where the red-painted church is.

I sat and waited through evenings long
And scanned the ridge with the spruces yonder;
But darkening mountains made shadows throng,
And you the way did not wander.

I sat and waited with scarce a doubt:

I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.

She's rubbing his shoulder
and he's reading about
Western birds. There's a scoop
of light just above my knee

it resembles the world, the one I know
a layer of smoke spread thin, a shelf

my mind returns again &
again to the picture
you gave me. In pain.
I'm holding the receiver
in Denver some woman making
human eyes at me from her
blue seat, but I later
conclude she's crazy

I'm helpless, rushing back to fix the
"h," how can I help you

I think we tried this long enough
our cure

The winter apples have been picked, the garden turned.
Rain and wind have picked the maple leaves and gone.
The last of them now bank the house or have been burned.
None are left upon the trees or on the lawn.

Green and tall as ever it grew in spring the grass
Grows not too tall, will not be cut again this year.
Geraniums in bloom behind the windowglass
Are safe. Fall has fallen yet winter is not yet here.

How warm the late November sun although how wan.
The white house stands a symbol of fulfillment there,

457

Sweet—safe—Houses—Glad—gay—Houses—
Sealed so stately tight—
Lids of Steel—on Lids of Marble—
Locking Bare feet out—

Brooks of Plush—in Banks of Satin
Not so softly fall
As the laughter—and the whisper—
From their People Pearl—

No Bald Death—affront their Parlors—
No Bold Sickness come
To deface their Stately Treasures—
Anguish—and the Tomb—

Hum by—in Muffled Coaches—
Lest they—wonder Why—
Any—for the Press of Smiling—
Interrupt—to die—

Sweet are the thoughts that savour of content;
The quiet mind is richer than a crown;
Sweet are the nights in careless slumber spent;
The poor estate scorns fortune's angry frown:
Such sweet content, such minds, such sleep, such bliss,
Beggars enjoy, when princes oft do miss.

The homely house that harbours quiet rest;
The cottage that affords no pride nor care;
The mean that 'grees with country music best;
The sweet consort of mirth and music's fare;
Obscured life sets down a type of bliss: