Then and Now

When battles were fought
With a chivalrous sense of should and ought,
In spirit men said,
"End we quick or dead,
Honour is some reward!
Let us fight fair -- for our own best or worst;
So, Gentlemen of the Guard,
Fire first!"

In the open they stood,
Man to man in his knightlihood:
They would not deign
To profit by a stain
On the honourable rules,
Knowing that practise perfidy no man durst
Who in the heroic schools
Was nurst.

But now, behold, what


The World

THE world is too much with us; late and soon,
   Getting and spending, we lay waste our powers:
   Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This sea that bares her bosom to the moon;
   The winds that will be howling at all hours,
   And are up-gather'd now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not.--Great God! I'd rather be
   A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,


The Wreck of the Thomas Dryden

As I stood upon the sandy beach
One morn near Pentland Ferry,
I saw a beautiful brigantine,
And all her crew seem'd merry.

When lo! the wind began to howl,
And the clouds began to frown,
And in the twinkling of an eye
The rain came pouring down.

Then the sea began to swell,
And seem'd like mountains high,
And the sailors on board that brigantine
To God for help did loudly cry.

Oh! it was an awful sight
To see them struggling with all their might,


The wolf

Like a grey shadow lurking in the light,
He ventures forth along the edge of night;
With silent foot he scouts the coulie's rim
And scents the carrion awaiting him.
His savage eyeballs lurid with a flare
Seen but in unfed beasts which leave their lair
To wrangle with their fellows for a meal
Of bones ill-covered. Sets he forth to steal,
To search and snarl and forage hungrily;
A worthless prairie vagabond is he.
Luckless the settler's heifer which astray
Falls to his fangs and violence a prey;


The Witch's frolic

[Scene, the 'Snuggery' at Tappington.-- Grandpapa in a high-backed cane-bottomed elbow-chair of carved walnut-tree, dozing; his nose at an angle of forty-five degrees,--his thumbs slowly perform the rotatory motion described by lexicographers as 'twiddling.'--The 'Hope of the family' astride on a walking-stick, with burnt-cork mustachios, and a pheasant's tail pinned in his cap, solaceth himself with martial music.-- Roused by a strain of surpassing dissonance, Grandpapa Loquitur. ]

Come hither, come hither, my little boy Ned!
Come hither unto my knee--


The Wanderings of Oisin Book III

Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.


The Vine Oak, A Fable

A vine from noblest lineage sprung
And with the choicest clusters hung,
In purple rob'd, reclining lay,
And catch'd the noontide's fervid ray;
The num'rous plants that deck the field
Did all the palm of beauty yield;
Pronounc'd her fairest of their train
And hail'd her empress of the plain.
A neighb'ring oak whose spiry height
In low-hung clouds was hid from sight,
Who dar'd a thousand howling storms;
Conscious of worth, sublimely stood,
The pride and glory of the wood.

He saw her all defenseless lay


The Victor Dog

Bix to Buxtehude to Boulez,
The little white dog on the Victor label
Listens long and hard as he is able.
It's all in a day's work, whatever plays.

From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He's man's-no-he's the Leiermann's best friend,

Or would be if hearing and listening were the same.
Does he hear? I fancy he rather smells
Those lemon-gold arpeggios in Ravel's
'Les jets d'eau du palais de ceux qui s'aiment.'


The Truth About hHorace

It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.

There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;
So they'd squelch the muse caloric,
And to students sophomoric
They d present as metaphoric
What old Horace meant for facts.


The Trapper's Christmas Eve

It's mighty lonesome-like and drear.
Above the Wild the moon rides high,
And shows up sharp and needle-clear
The emptiness of earth and sky;
No happy homes with love a-glow;
No Santa Claus to make believe:
Just snow and snow, and then more snow;
It's Christmas Eve, it's Christmas Eve.

And here am I where all things end,
And Undesirables are hurled;
A poor old man without a friend,
Forgot and dead to all the world;
Clean out of sight and out of mind . . .
Well, maybe it is better so;


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