husband

Is it for fear to wet a widow's eye,
That thou consum'st thy self in single life?
Ah, if thou issueless shalt hap to die,
The world will wail thee like a makeless wife.
The world will be thy widow and still weep,
That thou no form of thee hast left behind,
When every private widow well may keep,
By children's eyes, her husband's shape in mind.
Look what an unthrift in the world doth spend
Shifts but his place, for still the world enjoys it;
But beauty's waste hath in the world an end,

Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy.
Why lov'st thou that which thou receiv'st not gladly,
Or else receiv'st with pleasure thine annoy?
If the true concord of well-tunèd sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering,
Resembling sire and child and happy mother,

XXIII

Methought I saw my late espoused saint
Brought to me, like Alcestis, from the grave,
Whom Jove's great son to her glad husband gave,
Rescued from death by force, though pale and faint.
Mine, as whom washed from spot of child-bed taint
Purification in the Old Law did save,
And such, as yet once more I trust to have
Full sight of her in Heav'n without restraint,
Came vested all in white, pure as her mind:
Her face was veiled, yet to my fancied sight
Love, sweetness, goodness, in her person shined

True Christian, tender husband, gentle Sire,
A stricken household mourns thee, but its loss
Is Heaven's gain and thine; upon the cross
God hangs the crown, the pinion, and the lyre:
And thou hast won them all. Could we desire
To quench that diadem's celestial light,
To hush thy song and stay thy heavenward flight,
Because we miss thee by this autumn fire?
Ah, no! ah, no! -- chant on! -- soar on! -- Reign on!
For we are better -- thou art happier thus;
And haply from the splendor of thy throne,

'The play's the thing!'-- Hamlet.

Tavistock Hotel, Nov. 1839.
Dear Charles,
-- In reply to your letter, and Fanny's,
Lord Brougham, it appears, isn't dead,-- though Queen Anne is;
'Twas a 'plot' and a 'farce'-- you hate farces, you say --
Take another 'plot,' then, viz. the plot of a Play.

The Countess of Arundel, high in degree,
As a lady possess'd of an earldom in fee,
Was imprudent enough at fifteen years of age,
A period of life when we're not over sage,

Let us be honest; the lady was not a harlot until she
married a corporation lawyer who picked her from
a Ziegfeld chorus.
Before then she never took anybody's money and paid
for her silk stockings out of what she earned singing
and dancing.
She loved one man and he loved six women and the
game was changing her looks, calling for more and
more massage money and high coin for the beauty
doctors.
Now she drives a long, underslung motor car all by herself,

So fair is she!
So fair her face
So fair her pulsing figure

Not so fair
The maniacal stare
Of a husband who's much bigger.

I have known the silence of the stars and of the sea,
And the silence of the city when it pauses,
And the silence of a man and a maid,
And the silence of the sick
When their eyes roam about the room.
And I ask: For the depths,
Of what use is language?
A beast of the field moans a few times
When death takes its young.
And we are voiceless in the presence of realities --
We cannot speak.

A curious boy asks an old soldier
Sitting in front of the grocery store,
"How did you lose your leg?"

Our Skeeta was married, our Skeeta! the tomboy
and pet of the place,
No more as a maiden we'd greet her, no more
would her pert little face
Light up the chill gloom of the parlour; no more
would her deft little hands
Serve drinks to the travel-stained caller on his way
to more southerly lands;
No more would she chaff the rough drovers and
send them away with a smile,
No more would she madden her lovers, demurely,
with womanish guile -
The "prince" from the great Never-Never, with
light touch of lips and of hand

[The following little Poems are written after the Model of the Old English Ballads, and are inscribed to those who admire the simplicity of that kind of versification.]


NEAR GLARIS, on a mountain's side,
Beneath a shad'wy wood,
With walls of ivy compass'd round,
An ancient Castle stood.

By all rever'd, by all ador'd,
There dwelt a wealthy dame;
One peerless daughter bless'd her age,
A maid of spotless fame !

While one fair son, a gallant boy,
Whose VIRTUE was his shield,