The palace with revolving doors was mine
And three of us went up its steps
To the tall room whose walls were made
Of the furred eyes of moths.

One only went within -
Atameros the Greek;
With steps that slid along the floor
He slipped inside and closed the door.

Whilst Williamson took off his boots,
Produced three large synthetic mandrake roots
And softly musicked Home Sweet Home
Upon his dirty pocket-comb.

Within the room a metal thread
Uncoiled to greet Atameros;
He placed his bowler-hat upon its head

AY, 'twas here, on this spot,
In that summer of yore,
Atalanta did not
Vote my presence a bore,
Nor reply to my tenderest talk "She had
heard all that nonsense before."

She'd the brooch I had bought
And the necklace and sash on,
And her heart, as I thought,
Was alive to my passion;
And she'd done up her hair in the style that
the Empress had brought into fashion.

I had been to the play
With my pearl of a Peri -
But, for all I could say,
She declared she was weary,
That "the place was so crowded and hot, and

Where once with lads I scoffed my beer
The landlord's lass I've wed.
Now I am lord and master here;--
Thank God! the old man's dead.
I stand behind a blooming bar
With belly like a tub,
And pals say, seeing my cigar:
'Bill's wed a pub.'
II
I wonder now if I did well,
My freedom for to lose;
Knowing my wife is fly as hell
I mind my 'Ps' and 'Qs'.
Oh what a fuss she made because
I tweaked the barmaid's bub:
Alas! a sorry day it was
I wed a pub.
III

Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?

--Freud

1.

My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,

When the investing darkness growls,
And deep reverberates to deep;
When keyhole whines and chimney howls,
And all the roofs and windows weep;
Then, through the doorless walls of sleep,
The still-sealed ear and shuttered sight,
Phantoms of memory steal and creep,
The very ghosts of sound and light--
Dream-visions and dream-voices of a bygone night.


I see again, I hear again,
Where lightnings flash and house-eaves drip,
A flying swirl of waves and rain--

Since we through war awhile must part
Sweetheart, and learn to lose
Daily use
Of all that satisfied our heart:
Lay up those secrets and those powers
Wherewith you pleased and cherished me these two years:

Now we must draw, as plants would,
On tubers stored in a better season,
Our honey and heaven;
Only our love can store such food.
Is this to make a god of absence?
A new-born monster to steal our sustenance?

We cannot quite cast out lack and pain.
Let him remain-what he may devour
We can well spare:

O little hands, long vanished in the night--
Sweet fairy hands that were my treasure here--
My heart is full of music from some sphere,
Where ye make melody for God's delight.
Though autumn clouds obscure the starry height,
And winds are noisy and the land is drear,
In this blank room I feel my lost love near,
And hear you playing--hands so small and white.
The shadowy organ sings its songs again,
The dead years turn to music at its voice,
And all the dreams come back my brain did store.

Over and back,
the long waves crawl
and track the sand with foam;
night darkens, and the sea
takes on that desperate tone
of dark that wives put on
when all their love is done.

Over and back,
the tangled thread falls slack,
over and up and on;
over and all is sewn;
now while I bind the end,
I wish some fiery friend
would sweep impetuously
these fingers from the loom.

My weary thoughts
play traitor to my soul,
just as the toil is over;
swift while the woof is whole,

You didn't know Billy, did you? Well, Bill was one of the boys,
The greatest fellow you ever seen to racket an' raise a noise,--
An' sing! say, you never heard singing 'nless you heard Billy sing.
I used to say to him, "Billy, that voice that you've got there'd bring
A mighty sight more bank-notes to tuck away in your vest,
If only you'd go on the concert stage instead of a-ranchin' West."
An' Billy he'd jist go laughin', and say as I didn't know
A robin's whistle in springtime from a barnyard rooster's crow.

Down to the lighthouse pillar
   The rolling woodland comes,
Gay with the gold of she-oaks
   And the green of the stunted gums,
With the silver-grey of honeysuckle,
   With the wasted bracken red,
With a tuft of softest emerald
   And a cloud-flecked sky o'erhead.

We climbed by ridge and boulder,
   Umber and yellow scarred,
Out to the utmost precipice,
   To the point that was ocean-barred,
Till we looked below on the fastness