Author's Apology For His Book

WHEN at the first I took my pen in hand
Thus for to write, I did not understand

That I at all should make a little book
In such a mode: nay, I had undertook

To make another; which, when almost done,
Before I was aware I this begun.

And thus it was: I, writing of the way
And race of saints in this our gospel-day,

Fell suddenly into an allegory
About their journey, and the way to glory,

In more than twenty things which I set down
This done, I twenty more had in my crown,


Atavism

O beauteous daughter of a mighty race!
In thy fair features and thy radiant eyes
Like bright clouds floating over brighter skies
The shadows of a glorious past we trace.
Framed in the oval of thy perfect face
Flit the pale belles of bygone centuries;
A hint of lawgivers and jurists lies
In that pure brow where strength is wed with grace.
And looking on thy profile's symmetry
A world-famed face across my memory comes,
'Neath the slouched hat a watching eagle's eye,
Where down the dusty line goes riding by,


At the Opera

THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.

The curtain fell—the music died—
The lights grew bright, revealing there


At the Long Sault

Searching the pile of corpses the victors found four Frenchmen still breathing. Three had scarcely a spark of life . . . the fourth seemed likely to survive and they reserved him for future torments.

- Parkman's History


A prisoner under the stars I lie,
With no friend near;
To-morrow they lead me forth to die,
The stake is ready, the torments set,
They will pay in full their deadly debt;
But I fear them not! Oh, none could fear
Of those who stood by Daulac's side­


At Eighty Years

I

As nothingness draws near
How I can see
Inexorably clear
My vanity.
My sum of worthiness
Always so small,
Dwindles from less to less
To none at all.
II
As grisly destiny
Claims me at last,
How grievous seem to me
Sins of my past!
How keen a conscience edge
Can come to be!
How pitiless the dredge
Of memory!
III
Ye proud ones of the earth
Who count your gains,


At Bay

Wife
Reach out your arms, and hold me close and fast.
Tell me there are no memories of your past
That mar this love of ours, so great, so vast.

Husband
Some truths are cheapened when too oft averred.
Does not the deed speak louder than the word?
(dear God, that old dream woke again and stirred.)

Wife
As you love me, you never loved before?
Though oft you say it, say it yet once more.
My heart is jealous of those days of yore.

Husband
Sweet wife, dear comrade, mother of my child,


As Slow Our Ship

As slow our ship her foamy track
Against the wind was cleaving,
Her trembling pennant still look'd back
To that dear isle 'twas leaving.
So loath we part from all we love,
From all the links that bind us;
So turn our hearts as on we rove,
To those we've left behind us.

When, round the bowl, of vanish'd years
We talk, with joyous seeming, --
With smiles that might as well be tears,
So faint, so sad their beaming;
While memory brings us back again
Each early tie that twined us,


At the Executed Murderer's Grave

Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?

--Freud

1.

My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,


At Sea

When the investing darkness growls,
And deep reverberates to deep;
When keyhole whines and chimney howls,
And all the roofs and windows weep;
Then, through the doorless walls of sleep,
The still-sealed ear and shuttered sight,
Phantoms of memory steal and creep,
The very ghosts of sound and light--
Dream-visions and dream-voices of a bygone night.


I see again, I hear again,
Where lightnings flash and house-eaves drip,


At Night

Home, home from the horizon far and clear,
Hither the soft wings sweep;
Flocks of the memories of the day draw near
The dovecote doors of sleep.

Oh which are they that come through sweetest light
Of all these homing birds?
Which with the straightest and the swiftest flight?
Your words to me, your words!


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