metaphor

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'

Even as on some black background full of night
And hollow storm in cloudy disarray,
The forceful brush of some great master may
More brilliantly evoke a higher light;
So beautiful, so delicately white,
So like a very metaphor of May,
Your loveliness on my life's sombre grey
In its perfection stands out doubly bright.

And yet your beauty breeds a strange despair,
And pang of yearning in the helpless heart;
To shield you from time's fraying wear and tear,
That from yourself yourself would wrench apart,

WHEN at the first I took my pen in hand
Thus for to write, I did not understand

That I at all should make a little book
In such a mode: nay, I had undertook

To make another; which, when almost done,
Before I was aware I this begun.

And thus it was: I, writing of the way
And race of saints in this our gospel-day,

Fell suddenly into an allegory
About their journey, and the way to glory,

In more than twenty things which I set down
This done, I twenty more had in my crown,

The heron-billed pale cattle-birds
That feed on some foul parasite
Of the Moroccan flocks and herds
Cross the narrow Straits to light
In the rich midnight of the garden trees
Till the dawn break upon those mingled seas.

Often at evening when a boy
Would I carry to a friend -
Hoping more substantial joy
Did an older mind commend -
Not such as are in Newton's metaphor,
But actual shells of Rosses' level shore.

Greater glory in the Sun,
An evening chill upon the air,
Bid imagination run

Altarwise by owl-light in the half-way house
The gentleman lay graveward with his furies;
Abaddon in the hangnail cracked from Adam,
And, from his fork, a dog among the fairies,
The atlas-eater with a jaw for news,
Bit out the mandrake with to-morrows scream.
Then, penny-eyed, that gentlemen of wounds,
Old cock from nowheres and the heaven's egg,
With bones unbuttoned to the half-way winds,
Hatched from the windy salvage on one leg,
Scraped at my cradle in a walking word
That night of time under the Christward shelter:

He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,

Let the snake wait under
his weed
and the writing
be of words, slow and quick, sharp
to strike, quiet to wait,
sleepless.
-- through metaphor to reconcile
the people and the stones.
Compose. (No ideas
but in things) Invent!
Saxifrage is my flower that splits
the rocks.

All the air conditioners now slacken
their hummed carrier wave. Once again
we've served our three months with remissions
in the steam and dry iron of this seaboard.
In jellied glare, through the nettle-rash season
we've watched the sky's fermenting laundry
portend downpours. Some came, and steamed away,
and we were clutched back into the rancid
saline midnights of orifice weather,
to damp grittiness and wiping off the air.

Metaphors slump irritably together in
the muggy weeks. Shark and jellyfish shallows