mirror

Sunder me from my bones, O sword of God
Till they stand stark and strange as do the trees;
That I whose heart goes up with the soaring woods
May marvel as much at these.

Sunder me from my blood that in the dark
I hear that red ancestral river run
Like branching buried floods that find the sea
But never see the sun.

Give me miraculous eyes to see my eyes
Those rolling mirrors made alive in me
Terrible crystals more incredible
Than all the things they see

Sunder me from my soul, that I may see

What thing unto mine ear
Wouldst thou convey,--what secret thing,
O wandering water ever whispering?
Surely thy speech shall be of her.
Thou water, O thou whispering wanderer,
What message dost thou bring?

Say, hath not Love leaned low
This hour beside thy far well-head,
And there through jealous hollowed fingers said
The thing that most I long to know--
Murmuring with curls all dabbled in thy flow
And washed lips rosy red?

He told it to thee there
Where thy voice hath a louder tone;

An ingenuity too astonishing
to be quite fortuitous is
this bog full of sundews, sphagnum-
lines and shaped like a teacup.
A step
down and you're into it; a
wilderness swallows you up:
ankle-, then knee-, then midriff-
to-shoulder-deep in wetfooted
understory, an overhead
spruce-tamarack horizon hinting
you'll never get out of here.
But the sun
among the sundews, down there,
is so bright, an underfoot
webwork of carnivorous rubies,

I take you looking at the statue
the smile is yours and the stone is you
the stone is simple and the smile is playful
the smile is stolen and the stone is fallen
I ask you to stand and smile like that until
thinking you stone, time has forgotten you.
They say but really I forget

however picturesque
however figurative
whether so often and so quizzical
whoever it was crying in another voice ...
Let us sit like tailors. At least 1 am sure of this:
man or woman or beast I recall no face.

I
THE BRIDE

Where have You hidden Yourself,
And abandoned me in my groaning, O my Beloved?
You have fled like the hart,
Having wounded me.
I ran after You, crying; but You were gone.

II
O shepherds, you who go
Through the sheepcots up the hill,
If you shall see Him
Whom I love the most,
Tell Him I languish, suffer, and die.

III
In search of my Love
I will go over mountains and strands;
I will gather no flowers,
I will fear no wild beasts;

Oh! my name is JOHN WELLINGTON WELLS -
I'm a dealer in magic and spells,
In blessings and curses,
And ever-filled purses,
In prophecies, witches, and knells!
If you want a proud foe to "make tracks" -
If you'd melt a rich uncle in wax -
You've but to look in
On our resident Djinn,
Number seventy, Simmery Axe.

We've a first-class assortment of magic;
And for raising a posthumous shade
With effects that are comic or tragic,
There's no cheaper house in the trade.

A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised

The horns in the harbor booming, vaguely,
Fog, forgotten, yesterday, conclusion,
Nostalgic, noising dim sorrow, calling
To sleep is it? I think so, and childhood,
Not the door opened and the stair descended,
The voice answered, the choice announced, the
Trigger touched in the sharp declaration!

And when it comes, escape is small; the door
Creaks; the worms of fear spread veins; the furtive
Fugitive, looking backward, sees his
Ghost in the mirror, his shameful eyes, his mouth diseased.

The shepherd's brow, fronting forked lightning, owns
The horror and the havoc and the glory
Of it. Angels fall, they are towers, from heaven—a story
Of just, majestical, and giant groans.
But man—we, scaffold of score brittle bones;
Who breathe, from groundlong babyhood to hoary
Age gasp; whose breath is our memento mori—
What bass is our viol for tragic tones?
He! Hand to mouth he lives, and voids with shame;
And, blazoned in however bold the name,
Man Jack the man is, just; his mate a hussy.

Who is it lacks the knowledge? Who are the curs that dare
To whine and sneer that they do not fear the whelps in the Lion's lair?
But we of the North will answer, while life in the North remains,
Let the curs beware lest the whelps they dare are the Riders of the Plains;
For these are the kind whose muscle makes the power of the Lion's jaw,
And they keep the peace of our people and the honour of British law.

A woman has painted a picture,--'tis a neat little bit of art