mother

She said: "I am too old to play
With dolls," and put them all away,
Into a box, one rainy day.
II
I think she must have felt some pain,
She looked so long into the rain,
Then sighed: "I'll bring you out again;
III
"For I'll have little children too,
With sunny hair and eyes of blue
And they will play and play with you.
IV
"And now good-bye, my pretty dears;
There in the dark for years and years,
Dream of your little mother's tears."
V
Eglantine, Pierrot and Marie Claire,

I

   There dwells a mighty pair -
   Slow, statuesque, intense -
   Amid the vague Immense:
None can their chronicle declare,
   Nor why they be, nor whence.

,h II

   Mother of all things made,
   Matchless in artistry,
   Unlit with sight is she. -
And though her ever well-obeyed
   Vacant of feeling he.

III

   The Matron mildly asks -
   A throb in every word -
   "Our clay-made creatures, lord,
How fare they in their mortal tasks

It faces west, and round the back and sides
High beeches, bending, hang a veil of boughs,
And sweep against the roof. Wild honeysucks
Climb on the walls, and seem to sprout a wish
(If we may fancy wish of trees and plants)
To overtop the apple trees hard-by.

Red roses, lilacs, variegated box
Are there in plenty, and such hardy flowers
As flourish best untrained. Adjoining these
Are herbs and esculents; and farther still
A field; then cottages with trees, and last
The distant hills and sky.

Let the boy have his will! I tell thee, brother,
We treat these little ones too much like flowers,
Training them, in blind selfishness, to deck
Sticks of our poor setting, when they might,
If left to clamber where themselves incline,
Find nobler props to cling to, fitter place,
And sweeter air to bloom in. It is wrong --
Thou striv'st to sow with feelings all thine own,
With thoughts and hopes, anxieties and aims,
Born of thine own peculiar self, and fed
Upon a certain round of circumstance,

Down home to-night the moonshine falls
Across a hill with daisies pied,
The pear tree by the garden gate
Beckons with white arms like a bride.

A savor as of trampled fern
Along the whispering meadow stirs,
And, beacon of immortal love,
A light is shining through the firs.

To my old gable window creeps
The night wind with a sigh and song,
And, weaving ancient sorceries,
Thereto the gleeful moonbeams throng

Beside the open kitchen door
My mother stands all lovingly,

Cursed!
be the father of the bride
of the blacksmith who forged the iron for the axe
with which the woodsman hacked down the oak
from which the bed was carved
in which was conceived the great-grandfather
of the man who was driving the carriage
in which your mother met your father.

'My stomach's full of butterflies!'
lamented Dora Diller.
Her mother sighed. 'That's no surprise,
you ate a caterpillar!'

Don't let that horse
eat that violin

cried Chagall's mother

But he
kept right on
painting

And became famous

And kept on painting
The Horse With Violin In Mouth

And when he finally finished it
he jumped up upon the horse
and rode away
waving the violin

I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan,
We all have seen him, in the pantomime,
Sent to the Devil somewhat ere his time.

What do you see now?
Globes of red, yellow, purple.
Just a moment! And now?
My father and mother and sisters.
Yes! And now?
Knights at arms, beautiful women, kind faces.
Try this.
A field of grain—a city.
Very good! And now?
A young woman with angels bending over her.
A heavier lens! And now?
Many women with bright eyes and open lips.
Try this.
Just a goblet on a table.
Oh I see! Try this lens!
Just an open space—I see nothing in particular.
Well, now!