music

Because I have ten thousand pounds I sit upon my stern,
And leave my living tranquilly for other folks to earn.
For in some procreative way that isn't very clear,
Ten thousand pounds will breed, they say, five hundred every year.
So as I have a healthy hate of economic strife,
I mean to stand aloof from it the balance of my life.
And yet with sympathy I see the grimy son of toil,
And heartly congratulate the tiller of the soil.
I like the miner in the mine, the sailor on the sea,

I. Insomnia

The bulb at the front door burns and burns.
If it were a white rose it would tire of blooming
through another endless night.

The moon knows the routine;
it beats the bushes from east to west
and sets empty-handed. Again the one
she is waiting for has outrun the moon.

II. Old Money

The spotted hands shake as they polish the coins.

The shiny penny goes under the tongue,
the two silver pieces
weighted by pyramids
will shut down the eyes.

I had a dream, a varied dream:
Before my ravished sight
The city of my Lord arose,
With all its love and light.

The music of a myriad harps
Flowed out with sweet accord;
And saints were casting down their crowns
In homage to our Lord.

My heart leaped up with untold joy;
Life's toil and pain were o'er;
My weary feet at last had found
The bright and restful shore.

Just as I reached the gates of light,
Ready to enter in,
From earth arose a fearful cry
Of sorrow and of sin.

Perhaps it's no more than the fire's reflection
on some piece of gleaming furniture
that the child remembers so much later
like a revelation.

And if in his later life, one day
wounds him like so many others,
it's because he mistook some risk
or other for a promise.

Let's not forget the music, either,
that soon had hauled him
toward absence complicated
by an overflowing heart....


Translated by A. Poulin

The cedar trees have sung their vesper hymn,
And now the music sleeps--
Its benediction falling where the dim
Dusk of the forest creeps.
Mute grows the great concerto--and the light
Of day is darkening, Good-night, Good-night.
But through the night time I shall hear within
The murmur of these trees,
The calling of your distant violin
Sobbing across the seas,
And waking wind, and star-reflected light
Shall voice my answering. Good-night, Good-night.

The boys came back. Bands played and flags were flying,
And Yellow-Pressmen thronged the sunlit street
To cheer the soldiers who’d refrained from dying,
And hear the music of returning feet.
‘Of all the thrills and ardours War has brought,
This moment is the finest.’ (So they thought.)

Snapping their bayonets on to charge the mob,
Grim Fusiliers broke ranks with glint of steel,
At last the boys had found a cushy job.

. . . .
I heard the Yellow-Pressmen grunt and squeal;

The old woman sits on a bench before the door and quarrels
With her meagre pale demoralized daughter.
Once when I passed I found her alone, laughing in the sun
And saying that when she was first married
She lived in the old farmhouse up Garapatas Canyon.
(It is empty now, the roof has fallen
But the log walls hang on the stone foundation; the redwoods
Have all been cut down, the oaks are standing;
The place is now more solitary than ever before.)
"When I was nursing my second baby

AH! were she pitiful as she is fair,
Or but as mild as she is seeming so,
Then were my hopes greater than my despair,
Then all the world were heaven, nothing woe.
Ah! were her heart relenting as her hand,
That seems to melt even with the mildest touch,
Then knew I where to seat me in a land
Under wide heavens, but yet there is not such.
So as she shows she seems the budding rose,
Yet sweeter far than is an earthly flower;
Sovran of beauty, like the spray she grows;

Travel, trouble, music, art,
A kiss, a frock, a rhyme-
I never said they feed my heart,
But still they pass my time.

On a day like this the rain comes
down in fat and random drops among
the ailanthus leaves---"the tree
of Heaven"---the leaves that on moon-
lit nights shimmer black and blade-
shaped at this third-floor window.
And there are bunches of small green
knobs, buds, crowded together. The
rapid music fills in the spaces of
the leaves. And the piano comes in,
like an extra heartbeat, dangerous
and lovely. Slower now, less like
the leaves, more like the rain which
almost isn't rain, more like thawed-