Eloisa to Abelard

In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
Why rove my thoughts beyond this last retreat?
Why feels my heart its long-forgotten heat?
Yet, yet I love!--From Abelard it came,
And Eloisa yet must kiss the name.

Dear fatal name! rest ever unreveal'd,
Nor pass these lips in holy silence seal'd.
Hide it, my heart, within that close disguise,
Where mix'd with God's, his lov'd idea lies:


Elizabeth of Bohemia

YOU meaner beauties of the night,
   That poorly satisfy our eyes
More by your number than your light,
   You common people of the skies;
   What are you when the moon shall rise?

You curious chanters of the wood,
   That warble forth Dame Nature's lays,
Thinking your passions understood
   By your weak accents; what 's your praise
   When Philomel her voice shall raise?

You violets that first appear,
   By your pure purple mantles known
Like the proud virgins of the year,


Elegy I

Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;


Editor Whedon

To be able to see every side of every question;
To be on every side, to be everything, to be nothing long;
To pervert truth, to ride it for a purpose,
To use great feelings and passions of the human family
For base designs, for cunning ends,
To wear a mask like the Greek actors --
Your eight-page paper -- behind which you huddle,
Bawling through the megaphone of big type:
"This is I, the giant."
Thereby also living the life of a sneak-thief,
Poisoned with the anonymous words
Of your clandestine soul.


Eclogue the First Selim

SCENE, a Valley near Bagdat TIME, the Morning

`Ye Persian maids, attend your poet's lays,
And hear how shepherds pass their golden days:
Not all are blest, whom fortune's hand sustains
With wealth in courts, nor all that haunt the plains:
Well may your hearts believe the truths I tell;
'Tis virtue makes the bliss, where'er we dwell.'
Thus Selim sung, by sacred Truth inspired;
No praise the youth, but hers alone, desired.
Wise in himself, his meaning songs conveyed
Informing morals to the shepherd maid,


Echoes

Late-born and woman-souled I dare not hope,
The freshness of the elder lays, the might
Of manly, modern passion shall alight
Upon my Muse's lips, nor may I cope
(Who veiled and screened by womanhood must grope)
With the world's strong-armed warriors and recite
The dangers, wounds, and triumphs of the fight;
Twanging the full-stringed lyre through all its scope.
But if thou ever in some lake-floored cave
O'erbrowed by rocks, a wild voice wooed and heard,
Answering at once from heaven and earth and wave,


Duino Elegies The First Elegy

Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;


Dramatic Fragment

Let the boy have his will! I tell thee, brother,
We treat these little ones too much like flowers,
Training them, in blind selfishness, to deck
Sticks of our poor setting, when they might,
If left to clamber where themselves incline,
Find nobler props to cling to, fitter place,
And sweeter air to bloom in. It is wrong --
Thou striv'st to sow with feelings all thine own,
With thoughts and hopes, anxieties and aims,
Born of thine own peculiar self, and fed
Upon a certain round of circumstance,


Divina Commedia

I.Written March 29, 1864.1.
Oft have I seen at some cathedral door
.
A laborer, pausing in the dust and heat,
.
Lay down his burden, and with reverent feet
.
Enter, and cross himself, and on the floor
.
Kneel to repeat his paternoster o'er;
.
Far off the noises of the world retreat;
.
The loud vociferations of the street
.
Become an undistinguishable roar.
.
So, as I enter here from day to day,
.


Do Not Believe

Do not believe, my dearest, when I say
That I no longer love you.
When the tide ebbs do not believe the sea -
It will return anew.

Already I long for you, and passion fills me,
I yield my freedom thus to you once more.
Already the waves return with shouts and glee
To fill again that same belovèd shore.


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