power

Friend, in the desolate time, when your soul is enshrouded in darkness
When, in a deep abyss, memory and feeling die out,
Intellect timidly gropes among shadowy forms and illusions
Heart can no longer sigh, eye is unable to weep;
When, from your night-clouded soul the wings of fire have fallen
And you, to nothing, afraid, feel yourself sinking once more,
Say, who rescues you then?—Who is the comforting angel
Brings to your innermost soul order and beauty again,
Building once more your fragmented world, restoring the fallen

When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,

(Presbyter of Christ in Americas 1683-1708)

To thee, plain hero of a rugged race,
We bring the meed of praise too long delayed!
Thy fearless word and faithful work have made
For God's Republic firmer path and place
In this New World: thou hast proclaimed the grace
And power of Christ in many a forest glade,
Teaching the truth that leaves men unafraid
Of frowning tyranny or death's dark face.

Oh, who can tell how much we owe to thee,
Makemie, and to labour such as thine,

Prelude
I SEE the boy-bard neath life’s morning skies,
While hope’s bright cohorts guess not of defeat,
And ardour lightens from his earnest eyes,
And faith’s cherubic wings around his being beat.

Loudly the echo of his soul repeats
Those deathless strains that witched the world of old;
While to the deeds, his high heart proudly beats,
Of names within them, treasured like heroic gold.

To love he lights the ode of vocal fire,

How strange to greet, this frosty morn,
In graceful counterfeit of flower,
These children of the meadows, born
Of sunshine and of showers!

How well the conscious wood retains
The pictures of its flower-sown home,
The lights and shades, the purple stains,
And golden hues of bloom!

It was a happy thought to bring
To the dark season's frost and rime
This painted memory of spring,
This dream of summertime.

Our hearts are lighter for its sake,
Our fancy's age renews its youth,

That is work of waste and ruin--
Do as Charles and I are doing!
Strawberry-blossoms, one and all,
We must spare them--here are many:
Look at it--the flower is small,
Small and low, though fair as any:
Do not touch it! summers two
I am older, Anne, than you.

Pull the primrose, sister Anne!
Pull as many as you can.
--Here are daisies, take your fill;
Pansies, and the cuckoo-flower:
Of the lofty daffodil
Make your bed, or make your bower;
Fill your lap, and fill your bosom;

It was not then a poet's dream,
An idle vaunt of song,
Such as beneath the moon's soft gleam
On vacant fancies throng;

Which bids us see in heaven and earth,
In all fair things around,
Strong yearnings for a blest new birth
With sinless glories crowned;

Which bids us hear, at each sweet pause
From care and want and toil,
When dewy eve her curtain draws
Over the day's turmoil,

In the low chant of wakeful birds,
In the deep weltering flood,

They know the Almighty's power,
Who, wakened by the rushing midnight shower,
Watch for the fitful breeze
To howl and chafe amid the bending trees,
Watch for the still white gleam
To bathe the landscape in a fiery stream,
Touching the tremulous eye with sense of light
Too rapid and too pure for all but angel sight.

They know the Almighty's love,
Who, when the whirlwinds rock the topmost grove,
Stand in the shade, and hear
The tumult with a deep exulting fear,

A gallant knight and his betroth'd bride,
Were walking one day by a river side,
They talk'd of love, and they talk'd of war,
And how very foolish lovers are.

At length the bride to the knight did say,
'There have been many young ladies led astray
By believing in all their lovers said,
And you are false to me I am afraid.'

'No, Ellen, I was never false to thee,
I never gave thee cause to doubt me;
I have always lov'd thee and do still,
And no other woman your place shall fill.'

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'