power

The Poet's dead! - a slave to honor -
He fell, by rumor slandered,
Lead in his breast and thirsting for revenge,
Hanging his proud head!...
The Poet's soul could not endure
Petty insult's disgrace.
Against society he rose,
Alone, as always...and was slain!
Slain!...What use is weeping now,
The futile chorus of empty praise
Excuses mumbled full of pathos?
Fate has pronounced its sentence!
Was it not you who spitefully
Rebuffed his free, courageous gift
And for your own amusement fanned

The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
like Midas Because it is that laziness which is a form of impatience
And this he may be destroyed by the gold of the light
which never was
On land or sea.
He may be drunken to death, draining the casks of excess
That extreme form of success.
He may suffer Narcissus' destiny
Unable to live except with the image which is infatuation

ABOVE yon sombre swell of land
   Thou see'st the dawn's grave orange hue,
With one pale streak like yellow sand,
   And over that a vein of blue.

The air is cold above the woods;
   All silent is the earth and sky,
Except with his own lonely moods
   The blackbird holds a colloquy.

Over the broad hill creeps a beam,
   Like hope that gilds a good man's brow;
And now ascends the nostril-stream
   Of stalwart horses come to plough.

Ye rigid Ploughmen, bear in mind

Play on thy mother's bosom, babe, for in that holy isle
The error cannot find thee yet, the grieving, nor the guile;
Held in thy mother's arms above life's dark and troubled wave,
Thou lookest with thy fearless smile upon the floating grave.
Play, loveliest innocence!--Thee yet Arcadia circles round,
A charmed power for thee has set the lists of fairy ground;
Each gleesome impulse Nature now can sanction and befriend,
Nor to that willing heart as yet the duty and the end.

One hour devoted to the pursuit of Beauty
And Love is worth a full century of glory
Given by the frightened weak to the strong.


From that hour comes man's Truth; and
During that century Truth sleeps between
The restless arms of disturbing dreams.


In that hour the soul sees for herself
The Natural Law, and for that century she
Imprisons herself behind the law of man;
And she is shackled with irons of oppression.


That hour was the inspiration of the Songs

If hush'd the loud whirlwind that ruffled the deep,
The sky, if no longer dark tempests deform;
When our perils are past, shall our gratitude sleep?
No!--Here's to the Pilot who weather'd the storm!


At the foot-stool of Power let flattery fawn,
Let Faction her idols extol to the skies;
To virtue in humble resentment withdrawn,
Unblam'd may the merits of gratitude rise.


And shall not His memory to Britain be dear,
Whose example with envy all nations behold;

Hast thou the infant seen that yet, unknowing of the love
Which warms and cradles, calmly sleeps the mother's heart above--
Wandering from arm to arm, until the call of passion wakes,
And glimmering on the conscious eye--the world in glory breaks?

And hast thou seen the mother there her anxious vigil keep?
Buying with love that never sleeps the darling's happy sleep?
With her own life she fans and feeds that weak life's trembling rays,
And with the sweetness of the care, the care itself repays.

Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.

No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,

The passions that we fought with and subdued
Never quite die. In some maimed serpent's coil
They lurk, ready to spring and vindicate
That power was once our torture and our lord.

An Ode for Music

When Music, heavenly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Thronged around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting:
By turns they felt the glowing mind
Disturbed, delighted, raised, refined;
Till once, 'tis said, when all were fired,
Filled with fury, rapt, inspired,
From the supporting myrtles round
They snatched her instruments of sound,
And, as they oft had heard apart