rose

You left me with the autumn time;
When the winter stripped the forest bare,
Then dressed it in his spotless rime;
When frosts were lurking in the air
You left me here and went away.
The winds were cold; you could not stay.

You sought a warmer clime, until
The south wind, artful maid, should break
The winter's trumpets, and should fill
The air with songs of birds; and wake
The sleeping blossoms on the plain
And make the brooks to flow again.

I thought that the winter desolate,

"Here we dwell, in holiest bowers,
Where angels of light o'er our orisans bend;
Where sighs of devotion and breathings of flowers
To heaven in mingled odour ascend.
Do not disturb our calm, oh Love!
So like is thy form to the cherubs above,
It well might deceive such hearts as ours."

Love stood near the Novice and listen'd,
And Love is no novice in taking a hint;
His laughing blue eyes soon with piety glisten'd;
His rosy wing turn'd to heaven's own tint.
"Who would have thought," the urchin cries,

In the beginning of time, there rose from the churning of God's
dream two women. One is the dancer at the court of paradise, the
desired of men, she who laughs and plucks the minds of the wise
from their cold meditations and of fools from their emptiness; and
scatters them like seeds with careless hands in the extravagant
winds of March, in the flowering frenzy of May.
The other is the crowned queen of heaven, the mother, throned
on the fullness of golden autumn; she who in the harvest-time

Tired of waiting, you burst your bonds, impatient flowers, before
the winter had gone. Glimpses of the unseen comer reached your
wayside watch, and you rushed out running and panting, impulsive
jasmines, troops of riotous roses.
You were the first to march to the breach of death, your
clamour of colour and perfume troubled the air. You laughed and
pressed and pushed each other, bared your breast and dropped in
heaps.
The Summer will come in its time, sailing in the flood-tide

Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!

Love still has something of the sea,
From whence his Mother rose;
No time his slaves from doubt can free,
Nor give their thoughts repose.

They are becalm'd in clearest days,
And in rough weather tost;
They wither under cold delays,
Or are in tempests lost.

One while they seem to touch the port,
Then straight into the main
Some angry wind in cruel sport
Their vessel drives again.

At first disdain and pride they fear,

He play'd his wings as tho' for flight;
They webb'd the sky with glassy light.
His body sway'd upon tiptoes,
Like a wind-perplexed rose;
In eddies of the wind he went
At last up the blue element.

Earliest morning, switching all the tracks
that cross the sky from cinder star to star,
coupling the ends of streets
to trains of light.

now draw us into daylight in our beds;
and clear away what presses on the brain:
put out the neon shapes
that float and swell and glare

down the gray avenue between the eyes
in pinks and yellows, letters and twitching signs.
Hang-over moons, wane, wane!
From the window I see

an immense city, carefully revealed,

Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution's power,

There is darkness behind the light -- and the pale light drips
Cold on vague shapes and figures, that, half-seen loom
Like the carven prows of proud, far-triumphing ships --
And the firelight wavers and changes about the room,

As the three logs crackle and burn with a small still sound;
Half-blotting with dark the deeper dark of her hair,
Where she lies, head pillowed on arm, and one hand curved round
To shield the white face and neck from the faint thin glare.

Gently she breathes -- and the long limbs lie at ease,