To E.T.

I slumbered with your poems on my breast
Spread open as I dropped them half-read through
Like dove wings on a figure on a tomb
To see, if in a dream they brought of you,

I might not have the chance I missed in life
Through some delay, and call you to your face
First soldier, and then poet, and then both,
Who died a soldier-poet of your race.

I meant, you meant, that nothing should remain
Unsaid between us, brother, and this remained--
And one thing more that was not then to say:


To an Antiquated Coquette

Phyllis, if you will not agree
To give me back my liberty,
In spite of you I must regain
My loss of time and break your chain.
You were mistaken if you thought
I was so grossly to be caught;
Or that I was so blindly bred,
As not to be in woman read.
Perhaps you took me for a fool,
Design'd alone your sex's tool;
Nay, you might think so made a thing,
That with a little fashioning,
I might in time for your dear sake,
That monster call'd a husband make:
Perhaps I might, had I not found


To A Contemporary Bunkshooter

You come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.


You come along squirting words at us, shaking your fist


To A Foil'd European Revolutionaire


COURAGE yet! my brother or my sister!
Keep on! Liberty is to be subserv'd, whatever occurs;
That is nothing, that is quell'd by one or two failures, or any
number of failures,
Or by the indifference or ingratitude of the people, or by any
unfaithfulness,
Or the show of the tushes of power, soldiers, cannon, penal statutes.

Revolt! and still revolt! revolt!
What we believe in waits latent forever through all the continents,
and all the islands and archipelagos of the sea;


The New Mistress

"Oh, sick I am to see you, will you never let me be?
You may be good for something, but you are not good for me.
Oh, go where you are wanted, for you are not wanted here.
And that was all the farewell when I parted from my dear.

"I will go where I am wanted, to a lady born and bred
Who will dress me free for nothing in a uniform of red;
She will not be sick to see me if I only keep it clean:
I will go where I am wanted for a soldier of the Queen.

"I will go where I am wanted, for the sergeant does not mind;


Thursday, the Bassette-Table

CARDELIA.

The bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room?
Rise, pensive nymph! the tallier stays for you.


SMILINDA.

Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --


CARDELIA.

Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.


This, My Song, Is Made For Kerensky

(Being a Chant of the American Soap-Box and the Russian Revolution.)


O market square, O slattern place,
Is glory in your slack disgrace?
Plump quack doctors sell their pills,
Gentle grafters sell brass watches,
Silly anarchists yell their ills.
Shall we be as weird as these?
In the breezes nod and wheeze?

Heaven's mass is sung,
Tomorrow's mass is sung
In a spirit tongue
By wind and dust and birds,
The high mass of liberty,
While wave the banners red:


Thespis Act I

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT I - Ruined Temple on the Summit of Mount Olympus


[Scene--The ruins of the The Temple of the Gods, on summit of


The Winding Stair

My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
'Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

My Self. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;


The Wound Dresser

1


AN old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;
(Arous'd and angry, I'd thought to beat the alarum, and urge relentless war,
but soon my fingers fail'd me, my face droop'd and I resign'd myself,
To sit by the wounded and soothe them, or silently watch the dead
Years hence of these scenes, of these furious passions, these chances,


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