together

Of all the waltzes the great Strauss wrote,
mad with melody, rhythm--rife
From the very first to the final note,
Give me his "Artist's Life!"

It stirs my blood to my finger ends,
Thrills me and fills me with vague unrest,
And all that is sweetest and saddest blends
Together within my breast.

It brings back that night in the dim arcade,
In love's sweet morning and life's best prime,
When the great brass orchestra played and played,
And set our thoughts to rhyme.

For many long uninterrupted years
She was the friend and confidant of Art;
They walked together, heart communed with heart
In that sweet comradeship that so endears.
Her fondest hope, her sorrows and her fears
She told her mate; who would in turn impart
Important truths and secrets. But a dart,

Shot by that unskilled, mischevous boy, who peers
From ambush on us, struck one day in her breast,
And Love sprang forth to kiss away her tears.
She thought his brow shone with a wonderous grace;

Lo! in storms, the triple-headed
Hill, whose dreaded
Bases battle with the seas,
Looms across fierce widths of fleeting
Waters beating
Evermore on roaring leas!
Arakoon, the black, the lonely!
Housed with only
Cloud and rain-wind, mist and damp;
Round whose foam-drenched feet and nether
Depths, together
Sullen sprites of thunder tramp!

There the East hums loud and surly,
Late and early,
Through the chasms and the caves,

If you had come away with me
into another state
we had been quiet together.
But there the sun coming up
out of the nothing beyond the lake was
too low in the sky,
there was too great a pushing
against him,
too much of sumac buds, pink
in the head
with the clear gum upon them,
too many opening hearts of lilac leaves,
too many, too many swollen
limp poplar tassels on the
bare branches!
It was too strong in the air.
I had no rest against that
springtime!

The half-stripped trees
struck by a wind together,
bending all,
the leaves flutter drily
and refuse to let go
or driven like hail
stream bitterly out to one side
and fall
where the salvias, hard carmine--
like no leaf that ever was--
edge the bare garden.

Smash down the cities.
Knock the walls to pieces.
Break the factories and cathedrals, warehouses
and homes
Into loose piles of stone and lumber and black
burnt wood:
You are the soldiers and we command you.
Build up the cities.
Set up the walls again.
Put together once more the factories and cathedrals,
warehouses and homes
Into buildings for life and labor:
You are workmen and citizens all: We
command you.

I am the pillars of the house;
The keystone of the arch am I.
Take me away, and roof and wall
Would fall to ruin me utterly.

I am the fire upon the hearth,
I am the light of the good sun,
I am the heat that warms the earth,
Which else were colder than a stone.

At me the children warm their hands;
I am their light of love alive.
Without me cold the hearthstone stands,
Nor could the precious children thrive.

I am the twist that holds together
The children in its sacred ring,

Look, the eucalyptus, the Atlas pine,
the yellowing ash, all the trees
are gone, and I was older than
all of them. I am older than the moon,
than the stars that fill my plate,
than the unseen planets that huddle
together here at the end of a year
no one wanted. A year more than a year,
in which the sparrows learned
to fly backwards into eternity.
Their brothers and sisters saw this
and refuse to build nests. Before
the week is over they will all
have gone, and the chorus of love

OUT in the wastes of the West countrie,
Out where the white stars shine,
Grim and silent as such men be,
Rideth a man with a history—
Anthony Considine.
For the ways of men they are manifold
As their differing views in life;
Some sell themselves for the lust of gold,
And some for the lust of strife:
But this man counted the world well lost
For the love of his neighbour’s wife.

They fled together, as those must flee
Whom all men hold in blame;

Our trees are aspens, but people
mistake them for birches;
they think of us as characters
in a Russian novel, Kitty and Levin
living contentedly in the country.
Our friends from the city watch the birds
and rabbits feeding together
on top of the deep, white snow.
(We have Russian winters in Illinois,
but no sleighbells, possums instead of wolves,
no trusted servants to do our work.)
As in a Russian play, an old man
lives in our house, he is my father;
he lets go of life in such slow motion,