tree

At midnight, when the moonlit cypress trees
Have woven round his grave a magic shade,
Still weeping the unfinished hymn he made,
There moves fresh Maia, like a morning breeze
Blown over jonquil beds when warm rains cease.
And stooping where her poet's head is laid,
Selene weeps, while all the tides are stayed,
And swaying seas are darkened into peace.
But they who wake the meadows and the tides
Have hearts too kind to bid him wake from sleep,
Who murmurs sometimes when his dreams are deep,

Up into the cherry tree
Who should climb but little me?
I held the trunk with both my hands
And looked abroad in foreign lands.
I
I saw the next door garden lie,
Adorned with flowers, before my eye,
And many pleasant places more
That I had never seen before.
III
I saw the dimpling river pass
And be the sky's blue looking-glass;
The dusty roads go up and down
With people tramping in to town.
IV
If I could find a higher tree
Farther and farther I should see,

Little Indian, Sioux, or Crow,
Little frosty Eskimo,
Little Turk or Japanee,
Oh! don't you wish that you were me?
II
You have seen the scarlet trees
And the lions over seas;
You have eaten ostrich eggs,
And turned the turtle off their legs.
III
Such a life is very fine,
But it's not so nice as mine:
You must often as you trod,
Have wearied NOT to be abroad.
IV
You have curious things to eat,
I am fed on proper meat;
You must dwell upon the foam,

742

Four Trees—upon a solitary Acre—
Without Design
Or Order, or Apparent Action—
Maintain—

The Sun—upon a Morning meets them—
The Wind—
No nearer Neighbor—have they—
But God—

The Acre gives them—Place—
They—Him—Attention of Passer by—
Of Shadow, or of Squirrel, haply—
Or Boy—

What Deed is Theirs unto the General Nature—
What Plan
They severally—retard—or further—
Unknown—

143

For every Bird a Nest—
Wherefore in timid quest
Some little Wren goes seeking round—

Wherefore when boughs are free—
Households in every tree—
Pilgrim be found?

Perhaps a home too high—
Ah Aristocracy!
The little Wren desires—

Perhaps of twig so fine—
Of twine e'en superfine,
Her pride aspires—

The Lark is not ashamed
To build upon the ground
Her modest house—

Yet who of all the throng
Dancing around the sun
Does so rejoice?

They know the Almighty's power,
Who, wakened by the rushing midnight shower,
Watch for the fitful breeze
To howl and chafe amid the bending trees,
Watch for the still white gleam
To bathe the landscape in a fiery stream,
Touching the tremulous eye with sense of light
Too rapid and too pure for all but angel sight.

They know the Almighty's love,
Who, when the whirlwinds rock the topmost grove,
Stand in the shade, and hear
The tumult with a deep exulting fear,

Window's tree trunk's predominant face
a single eye-leveled hole where limb's torn off
another larger contorts to swell growing in around
imploding wound beside a clutch of thin twigs
hold to one two three four five six dry twisted
yellowish brown leaves flat against the other
gray trees in back stick upright then the glimpse
of lighter still grayish sky behind the close
welted solid large trunk with clumps of gray-green
lichen seen in boxed glass squared window back
of two shaded lamps on brown chiffonier between

The shower of moonlight falls as still and clear
Upon this desert main
As where sweet flowers some pastoral garden cheer
With fragrance after rain:
The wild winds rustle in piping shrouds,
As in the quivering trees:
Like summer fields, beneath the shadowy clouds
The yielding waters darken in the breeze.

Thou too art here with thy soft inland tones,
Mother of our new birth;
The lonely ocean learns thy orisons,
And loves thy sacred mirth:

Forgetfulness is like a song
That, freed from beat and measure, wanders.
Forgetfulness is like a bird whose wings are reconciled,
Outspread and motionless, --
A bird that coasts the wind unwearyingly.

Forgetfulness is rain at night,
Or an old house in a forest, -- or a child.
Forgetfulness is white, -- white as a blasted tree,
And it may stun the sybil into prophecy,
Or bury the Gods.

I can remember much forgetfulness.

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'