women

XVI
Soon was the prey out of their hands recovered,
By step and step the Frenchmen gan retire,
Till on a little hill at last they hovered,
Whose strength preserved them from Clorinda's ire:
When, as a tempest that hath long been covered
In watery clouds breaks out with sparkling fire,
With his strong squadron Lord Tancredi came,
His heart with rage, his eyes with courage flame.

XVII
Mast great the spear was which the gallant bore
That in his warlike pride he made to shake,

XXXI
Thus spake the nymph, yet spake but to the wind,
She could not alter his well-settled thought;
O miracle! O strife of wondrous kind!
Where love and virtue such contention wrought,
Where death the victor had for meed assigned;
Their own neglect, each other's safety sought;
But thus the king was more provoked to ire,
Their strife for bellows served to anger's fire.

XXXII
He thinks, such thoughts self-guiltiness finds out,
They scorned his power, and therefore scorned the pain,

XI
But when the angry king discovered not
What guilty hand this sacrilege had wrought,
His ireful courage boiled in vengeance hot
Against the Christians, whom he faulters thought;
All ruth, compassion, mercy he forgot,
A staff to beat that dog he long had sought,
"Let them all die," quoth he, "kill great and small,
So shall the offender perish sure withal.

XII
"To spill the wine with poison mixed with spares?
Slay then the righteous with the faulty one,
Destroy this field that yieldeth naught but tares,

Do you remember, passer-by, the path
I wore across the lot where now stands the opera house,
Hasting with swift feet to work through many years?
Take its meaning to heart:
You too may walk, after the hills at Miller's Ford
Seem no longer far away;
Long after you see them near at hand,
Beyond four miles of meadow;
And after woman's love is silent,
Saying no more: "I will save you."
And after the faces of friends and kindred
Become as faded photographs, pitifully silent,

Oh ye whose hearts are resonant, and ring to War's romance,
Hear ye the story of a boy, a peasant boy of France;
A lad uncouth and warped with toil, yet who, when trial came,
Could feel within his soul upleap and soar the sacred flame;
Could stand upright, and scorn and smite, as only heroes may:
Oh, harken! Let me try to tell the tale of Jean Desprez.
II
With fire and sword the Teuton horde was ravaging the land,
And there was darkness and despair, grim death on every hand;

Past ash cans and alley cats,
Fetid. overflowing gutters,
Leprous lines of rancid flats
Where the frowsy linen flutters;
With a rattle and a jar,
hark! I sing a happy ditty,
As I speed my Master far
From the poison of the City.
II
Speed him to the sportive sea,
Watch him walloping the briny,
Light his pipe and brew his tea
In a little wood that's piny;
Haven him to peace of mind.
Drowsy dreams in pleasant places,
Where the woman's eyes are kind,
And the men have ruddy faces.
III

The land was broken in despair,
The princes quarrelled in the dark,
When clear and tranquil, through the troubled air
Of selfish minds and wills that did not dare,
Your star arose, Jeanne d'Arc.

O virgin breast with lilies white,
O sun-burned hand that bore the lance,
You taught the prayer that helps men to unite,
You brought the courage equal to the fight,
You gave a heart to France!

Your king was crowned, your country free,
At Rheims you had your soul's desire:
And then, at Rouen, maid of Domremy,

Jack was a swarthy, swaggering son-of-a-gun.
He worked thirty years on the railroad, ten hours a day, and his hands were tougher than sole leather.
He married a tough woman and they had eight children and the woman died and the children grew up and went away and wrote the old man every two years.
He died in the poorhouse sitting on a bench in the sun telling reminiscences to other old men whose women were dead and children scattered.

Women of night life amid the lights
Where the line of your full, round throats
Matches in gleam the glint of your eyes
And the ring of your heart-deep laughter:
It is much to be warm and sure of to-morrow.

Women of night life along the shadows,
Lean at your throats and skulking the walls,
Gaunt as a bitch worn to the bone,
Under the paint of your smiling faces:
It is much to be warm and sure of to-morrow.

Lone amid the cafe's cheer,
Sad of heart am I to-night;
Dolefully I drink my beer,
But no single line I write.
There's the wretched rent to pay,
Yet I glower at pen and ink:
Oh, inspire me, Muse, I pray,
It is later than you think!
II
Hello! there's a pregnant phrase.
Bravo! let me write it down;
Hold it with a hopeful gaze,
Gauge it with a fretful frown;
Tune it to my lyric lyre . . .
Ah! upon starvation's brink,
How the words are dark and dire:
It is later than you think.
III