Seasonal Cycle - Chapter 01 - Summer

"Oh, dear, this utterly sweltering season of the highly rampant sun is drawing nigh, and it will always be good enough to go on taking daytime baths, as the lakes and rivers will still be with plenteous waters, and at the end of the day, nightfall will be pleasant with fascinating moon, and in such nights Love-god can somehow be almost mollified...[who tortured us in the previous vernal season... but now without His sweltering us, we can happily enjoy the nights devouring cool soft drinks and dancing and merrymaking in outfields...]


Searching For Pittsburgh

The fox pushes softly, blindly through me at night,
between the liver and the stomach. Comes to the heart
and hesitates. Considers and then goes around it.
Trying to escape the mildness of our violent world.
Goes deeper, searching for what remains of Pittsburgh
in me. The rusting mills sprawled gigantically
along three rivers. The authority of them.
The gritty alleys where we played every evening were
stained pink by the inferno always surging in the sky,
as though Christ and the Father were still fashioning the Earth.


Salvage

Guns on the battle lines have pounded now a year
between Brussels and Paris.
And, William Morris, when I read your old chapter on
the great arches and naves and little whimsical
corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
you're down in the damp and mouldy, only a memory
instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
shape of those stones piled and carved for you to


Samson Agonistes

Samson. A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade.
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoined me,
Where I, a prisoner chained, scarce freely draw
The air, imprisoned also, close and damp,
Unwholesome draught. But here I feel amends—
The breath of Heaven fresh blowing, pure and sweet,
With day-spring born; here leave me to respire.


Salve Saturnia Tellus

I reached the Alps: the soul within me burned
Italia, my Italia, at thy name:
And when from out the mountain's heart I came
And saw the land for which my life had yearned,
I laughed as one who some great prize had earned:
And musing on the story of thy fame
I watched the day, till marked with wounds of flame
The turquoise sky to burnished gold was turned
The pine-trees waved as waves a woman's hair,
And in the orchards every twining spray
Was breaking into flakes of blossoming foam:


Salvage

Daily the cortege of crumpled
defunct cars
goes by by the lasagna-
layered flatbed
truckload: hardtop

reverting to tar smudge,
wax shine antiqued to crusted
winepress smear,
windshield battered to
intact ice-tint, a rarity

fresh from the Pleistocene.
I like it; privately
I find esthetic
satisfaction in these
ceremonial removals

from the category of
received ideas
to regions where pigeons'
svelte smoke-velvet
limousines, taxiing


Salmacis and Hermaphroditus

MY wanton lines doe treate of amorous loue,
Such as would bow the hearts of gods aboue:
Then Venus, thou great Citherean Queene,
That hourely tript on the Idalian greene,
Thou laughing Erycina, daygne to see
The verses wholly consecrate to thee;
Temper them so within thy Paphian shrine,
That euery Louers eye may melt a line;
Commaund the god of Loue that little King,
To giue each verse a sleight touch with his wing,
That as I write, one line may draw the tother,
And euery word skip nimbly o're another.


Rutherford McDowell

They brought me ambrotypes
Of the old pioneers to enlarge.
And sometimes one sat for me—
Some one who was in being
When giant hands from the womb of the world
Tore the republic.
What was it in their eyes?—
For I could never fathom
That mystical pathos of drooped eyelids,
And the serene sorrow of their eyes.
It was like a pool of water,
Amid oak trees at the edge of a forest,
Where the leaves fall,
As you hear the crow of a cock
From a far-off farm house, seen near the hills


Running Amok

In the slums of Tondo, people dwell
in shacks of cardboard, bits of bamboo,
corrugated metal, and a few cement blocks.

They come from all the provinces--
a farmer’s son from Cagayan,
a coal miner from Bulacan,

a field hand from the banana plantations
of Davao. They come to Manila
for work, for better pay.

The highest incidence of men
running amok is in Tondo,
or at least, that’s what the local tabloids

have for headlines every week. Amok in Tondo


Rosalind's Scroll

I left thee last, a child at heart,
   A woman scarce in years:
I come to thee, a solemn corpse
   Which neither feels nor fears.
I have no breath to use in sighs;
They laid the dead-weights on mine eyes
   To seal them safe from tears.

Look on me with thine own calm look:
   I meet it calm as thou.
No look of thine can change this smile,
   Or break thy sinful vow:
I tell thee that my poor scorn'd heart
Is of thine earth--thine earth--a part:
   It cannot vex thee now.


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