women

Long long ago I went through the castle of leaves
Yellowing slowly in the moss
And far away barnacles clung desperately to rocks in the sea
Your memory better still your tender presence was there too
Transparent and mine
Nothing had changed but everything had aged at the same rate as my temples and
my eyes
Don't you just love that platitude? Let me go it's so rare for me this ironic
satisfaction
Everything had aged except your presence
Long long ago I went through the surf on a lonely day
The waves were unreal even then

What ails my senses thus to cheat?
What is it ails the place,
That all the people in the street
Should wear one woman's face?

The London trees are dusty-brown
Beneath the summer sky;
My love, she dwells in London town,
Nor leaves it in July.

O various and intricate maze,
Wide waste of square and street;
Where, missing through unnumbered days,
We twain at last may meet!

And who cries out on crowd and mart?
Who prates of stream and sea?
The summer in the city's heart--

“Do I hear them? Yes, I hear the children singing—and what of it?
Have you come with eyes afire to find me now and ask me that?
If I were not their father and if you were not their mother,
We might believe they made a noise…. What are you—driving at!”

“Well, be glad that you can hear them, and be glad they are so near us,—
For I have heard the stars of heaven, and they were nearer still.
All within an hour it is that I have heard them calling,
And though I pray for them to cease, I know they never will;

I am riding on a limited express, one of the crack trains
of the nation.
Hurtling across the prairie into blue haze and dark air
go fifteen all-steel coaches holding a thousand people.
(All the coaches shall be scrap and rust and all the men
and women laughing in the diners and sleepers shall
pass to ashes.)
I ask a man in the smoker where he is going and he
answers: "Omaha."

I've always wanted to play the part
of that puckish pubescent Filipino boy

in those John Wayne Pacific-War movies.
Pepe, Jose, or Juanito would be smiling,

bare-chested and eager to please
for most of the steamy jungle scenes.

I'd be the one who would cross
the Japanese lines and ask for tanks,

air support, or more men. I'd miraculously
make it back to the town where John Wayne

is holding his position against the enemy
with his Thompson machine-gun. As a reward,

You are the bread and the knife,
The crystal goblet and the wine...
-Jacques Crickillon

You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.

However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.

You are the bread and the knife,
The crystal goblet and the wine...
-Jacques Crickillon

You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.

However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.

Grant me, I cried, some spell of art,
To turn with all a lover's care,
That spotless page, my Eva's heart,
And write my burning wishes there.

But Love, by faithless Laia taught
How frail is woman's holiest vow,
Look'd down, while grace attempered thought
Sate serious on his baby brow.

'Go! blot her album,' cried the sage,
'There none but bards a place may claim;
But woman's heart's a worthless page,
Where every fool may write his name.'

Until by time or fate decayed,

That which we are and shall be is made up
Of what we have been. On the autumn leaf
The crimson stains bear witness of its spring;
And, on its perfect nodes, the ocean shell
Notches the slow, strange changes of its growth.
Ourselves are our own records; if we looked
Rightly into that blotted crimson page
Within our bosoms, then there were no need
To chronicle our stories; for the heart
Hath, like the earth, its strata, and contains
Its past within its present. Well for us,
And our most cherished secrets, that within

Yes! heaven protect thee, thou gem of the ocean;
Dear land of my sires, though distant thy shores;
Ere my heart cease to love thee, its latest emotion,
The last dying throbs of its pulse must be o'er.

And dark were the bosom, and cold and unfeeling,
That tamely could listen unmoved at the call,
When woman, the warm soul of melody stealing,
Laments for her country and sighs o'er its fall.

Sing on, gentle warbler, the tear-drop appearing
Shall fall for the woes of the queen of the sea;