work

The shadow of uncreated creatures
Flickers in sleep,
Like palm fronds
On an enamel wall.

Violet hands
On the enamel wall
Drowsily sketch sounds
In the ringing-resonant silence.

And transparent kiosks,
In the ringing-resonant silence,
Grow like spangles
In the azure moonlight.

A naked moon rises
In the azure moonlight...
Sounds hover drowsily,
Sounds caress me.

The secrets of created creatures
Caress me caressingly
And palm shadows gutter

Of Cora, once so dearly ours,
Would mournful memory sing;
Of how she came when came the flowers,
To leave us with the spring.
That day (returned) which gave her breath
Was that whereon she died,
And o’er the pangs of birth and death
Passed blooming as a bride.

The spring it came, with never a storm,
And nine times came and went,
Till its whole spirit with her form
In budding beauty blent.

Yea, till its sentiment was wreathed
About her eye it came,

A beggar in the street I saw,
Who held a hand like withered claw,
As cold as clay;
But as I had no silver groat
To give, I buttoned up my coat
And turned away.
II
And then I watched a working wife
Who bore the bitter load of life
With lagging limb;
A penny from her purse she took,
And with sweet pity in her look
Gave it to him.
III
Anon I spied a shabby dame
Who fed six sparrows as they came
In famished flight;

The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth's dark. He
moves in a wood of desire,

pale antlers barely stirring
as he hunts. I cannot tell
what power is at work, drenched there
with purpose, knowing nothing.
What is a snail's fury? All
I think is that if later

I parted the blades above
the tunnel and saw the thin
trail of broken white across
litter, I would never have

Conscience is instinct bred in the house,
Feeling and Thinking propagate the sin
By an unnatural breeding in and in.
I say, Turn it out doors,
Into the moors.
I love a life whose plot is simple,
And does not thicken with every pimple,
A soul so sound no sickly conscience binds it,
That makes the universe no worse than 't finds it.
I love an earnest soul,
Whose mighty joy and sorrow
Are not drowned in a bowl,
And brought to life to-morrow;
That lives one tragedy,
And not seventy;

The book of the Gulistan has been completed, and Allah had been invoked for aid! By the grace of the Almighty, may his name be honoured, throughout the work the custom of authors to insert verses from ancient writers by way of loan, has not been followed.

To adorn oneself with one’s own rag
Is better than to ask for the loan of a robe.

Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!

Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry

As I pondered very weary o'er a volume long and dreary --
For the plot was void of interest; 'twas the Postal Guide, in fact --
There I learnt the true location, distance, size and population
Of each township, town, and village in the radius of the Act.
And I learnt that Puckawidgee stands beside the Murrumbidgee,
And the Booleroi and Bumble get their letters twice a year,
Also that the post inspector, when he visited Collector,
Closed the office up instanter, and re-opened Dungalear.

'Tis The
SONG OF LITTLE MARY,
Standing at the bar-room door
While the shameful midnight revel
Rages wildly as before.

Father, dear father, come home with me now!
The clock in the steeple strikes one;
You said you were coming right home from the shop,
As soon as your day's work was done.
Our fire has gone out our house is all dark
And mother's been watching since tea, --
With poor brother Benny so sick in her arms,
And no one to help her but me. --
Come home! come home! come home! --

When a girl's sixteen, and as poor as she's pretty,
And she hasn't a friend and she hasn't a home,
Heigh-ho! She's as safe in Paris city
As a lamb night-strayed where the wild wolves roam;
And that was I; oh, it's seven years now
(Some water's run down the Seine since then),
And I've almost forgotten the pangs and the tears now,
And I've almost taken the measure of men.
II
Oh, I found me a lover who loved me only,
Artist and poet, and almost a boy.
And my heart was bruised, and my life was lonely,