work

What is better than leaving a bar
in the middle of the afternoon
besides staying in it or not
having gone into it in the first place
because you had a decent woman to be with?
The air smells particularly fresh
after the stale beer and piss smells.
You can stare up at the whole sky:
it's blue and white and does not
stare back at you like the bar mirror,
and there's Whats-'is-name coming out
right behind you saying, "I don't
believe it, I don't believe it: there
he is, staring up at the fucking sky

ART thou poor, yet hast thou golden slumbers?
   O sweet content!
Art thou rich, yet is thy mind perplex'd?
   O punishment!
Dost thou laugh to see how fools are vex'd
To add to golden numbers golden numbers?
   O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny--hey nonny nonny!

Canst drink the waters of the crisped spring?
   O sweet content!
Swim'st thou in wealth, yet sink'st in thine own tears?

We are happy all the time
Even when we fight:
Sweet briars of the stairways,
Gay fairies of the grime;
We, who are playing to-night.

"Our feet are in the gutters,
Our eyes are sore with dust,
But still our eyes are bright.
The wide street roars and mutters —
We know it works because it must —
We, who are playing to-night!

"Dirt is everlasting. — We never, never fear it.
Toil is never ceasing. — We will play until we near it.

FOR A VERY LITTLE GIRL, NOT A YEAR OLD.
CATHARINE FRAZEE WAKEFIELD.


The sun gives not directly
The coal, the diamond crown;
Not in a special basket
Are these from Heaven let down.

The sun gives not directly
The plough, man's iron friend;
Not by a path or stairway
Do tools from Heaven descend.

Yet sunshine fashions all things
That cut or burn or fly;
And corn that seems upon the earth
Is made in the hot sky.

The gravel of the roadbed,
The metal of the gun,

Will God indeed with fragments bear,
Snatched late from the decaying year?
Or can the Saviour's blood endear
The dregs of a polluted life?
When down th' o'erwhelming current tossed
Just ere he sink for ever lost,
The sailor's untried arms are crossed
In agonizing prayer, will Ocean cease her strife?

Sighs that exhaust but not relieve
Heart-rending sighs, O spare to heave
A bosom freshly taught to grieve
For lavished hours and love misspent!
Now through her round of holy thought

The Earth that in her genial breast
Makes for the down a kindly nest,
Where wafted by the warm south-west
It floats at pleasure,
Yields, thankful, of her very best,
To nurse her treasure:

True to her trust, tree, herb, or reed,
She renders for each scattered seed,
And to her Lord with duteous heed
Gives large increase:
Thus year by year she works unfeed,
And will not cease.

Woe worth these barren hearts of ours,
Where Thou hast set celestial flowers,

Sun of my soul, Thou Savior dear,
It is not night if Thou be near;
O may no earthborn cloud arise
To hide Thee from Thy servant’s eyes.

When the soft dews of kindly sleep
My wearied eyelids gently steep,
Be my last thought, how sweet to rest
Forever on my Savior’s breast.

Abide with me from morn till eve,
For without Thee I cannot live;
Abide with me when night is nigh,
For without Thee I dare not die.

If some poor wandering child of Thine
Has spurned today the voice Divine,

My father's head has become a mystery to him.
We finally have something in common.
When he moves his head his eyes
get big as roses filled
with the commotion of spring.
Not long ago he was a man
who had tomato soup for lunch
and dusted with the earnestness
of a gun fight. Now he's a man
who sits at the table trying to breathe
in tiny bites. When they told him
his spinal column is closing, I thought
of all the branches he's cut
with loppers and piled and burned

Flaubert wanted to write a novel
About nothing. It was to have no subject
And be sustained upon the style alone,
Like the Holy Ghost cruising above
The abyss, or like the little animals
In Disney cartoons who stand upon a branch
That breaks, but do not fall
Till they look down. He never wrote that novel,
And neither did he write another one
That would have been called La Spirale,
Wherein the hero's fortunes were to rise
In dreams, while his walking life disintegrated.

Even so, for these two books

Somewhere the long mellow note of the blackbird
Quickens the unclasping hands of hazel,
Somewhere the wind-flowers fling their heads back,
Stirred by an impetuous wind. Some ways’ll
All be sweet with white and blue violet.
(Hush now, hush. Where am I?—Biuret—)

On the green wood’s edge a shy girl hovers
From out of the hazel-screen on to the grass,
Where wheeling and screaming the petulant plovers
Wave frighted. Who comes? A labourer, alas!
Oh the sunset swims in her eyes’ swift pool.