beach

While you walk the water's edge,
turning over concepts
I can't envision, the honking buoy
serves notice that at any time
the wind may change,
the reef-bell clatters
its treble monotone, deaf as Cassandra
to any note but warning. The ocean,
cumbered by no business more urgent
than keeping open old accounts
that never balanced,
goes on shuffling its millenniums
of quartz, granite, and basalt.
It behaves
toward the permutations of novelty—
driftwood and shipwreck, last night's

We must suffer, husband and father, we must suffer, daughter and son,
For the wrong we have taken part in and the wrong that we have seen done.
Let the bride of frivolous fashion, and of ease, be ashamed and dumb,
For I tell you the nations shall rule us who have let their children come!

How shall Australia escape it – we in the South and alone
Who have taken the sword for no right of England and none of our own?
(Can we bring back the husbands and fathers, can we bring the lovers and sons?

They came from the lower levels
Deep down in the Brilliant mine;
From the wastes where the whirlwind revels,
Whirling the leaves of pine.
On the western plains, where the Darling flows,
And the dust storms wheel and shift,
The teamster loosened his yokes and bows,
And turned his team adrift.

On the western stations, far and wide,
There's many an empty pen,
For the "ringers" have cast the machines aside
And answered the call for men.

On the lucerne flats where the stream runs slow,

The palace with revolving doors was mine
And three of us went up its steps
To the tall room whose walls were made
Of the furred eyes of moths.

One only went within -
Atameros the Greek;
With steps that slid along the floor
He slipped inside and closed the door.

Whilst Williamson took off his boots,
Produced three large synthetic mandrake roots
And softly musicked Home Sweet Home
Upon his dirty pocket-comb.

Within the room a metal thread
Uncoiled to greet Atameros;

COME here, rekindle the old fire,
This last night leave no lamp unlit!
In later days we twain shall sit,
Remembering the joys of it,--
The warmth and sweetness of desire.

Here, ere we part, again live o'er
The way we went,--the hour,--the kiss;
Let Love with magic hand of his
Rebuild the mirage of our bliss
In desert days that wend before.

Swart night of August! when we stood
Heart-locked beside the window-pane!
The thunder quickening again
The laggard pulses of the rain,

Days that cannot bring you near
or will not,
Distance trying to appear
something more obstinate,
argue argue argue with me
endlessly
neither proving you less wanted nor less dear.

Distance: Remember all that land
beneath the plane;
that coastline
of dim beaches deep in sand
stretching indistinguishably
all the way,
all the way to where my reasons end?

Days: And think
of all those cluttered instruments,
one to a fact,
canceling each other's experience;
how they were

There’s a lonely stretch of hillocks:
There’s a beach asleep and drear:
There’s a battered broken fort beside the sea.
There are sunken trampled graves:
And a little rotting pier:
And winding paths that wind unceasingly.
There’s a torn and silent valley:
There’s a tiny rivulet
With some blood upon the stones beside its mouth.
There are lines of buried bones:
There’s an unpaid waiting debt :
There’s a sound of gentle sobbing in the South.

Annie Marshall was a foundling, and lived in Downderry,
And was trained up by a coast-guardsman, kind-hearted and merry
And he loved Annie Marshall as dear as his life,
And he resolved to make her his own loving wife.

The night was tempestuous, most terrific, and pitch dark,
When Matthew Pengelly rescued Annie Marshall from an ill-fated barque,
But her parents were engulfed in the briny deep,
Which caused poor Annie at times to sigh and weep.

One day Matthew asked Annie if she would be his wife,

The brow of a horse in that moment when
The horse is drinking water so deeply from a trough
It seems to inhale the water, is holy.

I refuse to explain.

When the horse had gone the water in the trough,
All through the empty summer,

Went on reflecting clouds & stars.

The horse cropping grass in a field,
And the fly buzzing around its eyes, are more real
Than the mist in one corner of the field.

Or the angel hidden in the mist, for that matter.

Early March.
The cold beach deserted. My kids
home in a bare house, bundled up
and listening to rock music
pirated from England. My wife
waiting for me in a bar, alone
for an hour over her sherry, and none
of us knows why I have to pace
back and forth on this flat
and birdless stretch of gleaming sand
while the violent air shouts
out its rags of speech. I recall
the calm warm sea of Florida
30 years ago, and my brother
and I staring out in the hope
that someone known and loved