change

Fain would I change that note
To which fond Love hath charm'd me
Long, long to sing by rote,
Fancying that that harm'd me:
Yet when this thought doth come,
'Love is the perfect sum
   Of all delight,'
I have no other choice
Either for pen or voice
   To sing or write.

O Love! they wrong thee much
That say thy sweet is bitter,
When thy rich fruit is such
As nothing can be sweeter.
Fair house of joy and bliss,
Where truest pleasure is,
   I do adore thee:
I know thee what thou art,

I

Said a Sov'reign to a Note,
In the pocket of my coat,
Where they met in a neat purse of leather,
"How happens it, I prithee,
That though I'm wedded with thee,
Fair Pound, we can never live together?

II

Like your sex, fond of change,
With silver you can range,
And of lots of young sixpences be mother;
While with me -- upon my word
Not my Lady and my Lord
Of W--stm--th see so little of each other!"

III

The difference between you and her
(whom I to you did once prefer)
Is clear enough to settle:
She like a diamond shone, but you
Shine like an early drop of dew
Poised on a red rose petal.

The dew-drop carries in its eye
Mountain and forest, sea and sky,
With every change of weather;
Contrariwise, a diamond splits
The prospect into idle bits
That none can piece together.

No, mother, I am not sad:
Why think me sad? I was always still,
You remember, even when my heart was most glad
And you used to let me dream at my will;
And now I like better to watch the sea
And the calm sad sky than to laugh with the rest.
You know they are full of chatter and glee,
And I like the quietness best.

Nay, mother, you look so grave.
I know what you're thinking and will not say;
But you need not fear; I am growing brave
Now that the pain is passing away,

Oh, would I resembled

The country girls fair,
Who rosy-red ribbons

And yellow hats wear!

To believe I was pretty

I thought was allow'd;
In the town I believed it

When by the youth vow'd.

Now that Spring hath return'd,

All my joys disappear;
The girls of the country

Have lured him from here.

To change dress and figure,

Was needful I found,
My bodice is longer,

My petticoat round.

My hat now is yellow.

My bodice like snow;

Christmas defeated Chanukah
once again last night
by a margin of three billion dollars
or so, but every time I hear
a Yiddish word like bupkes
in a movie (L.A. Confidential)
or when Oleg Cassini in that new play Jackie
calls a garment a shmatta, it's "good
for the Jews," as our parents used to say.
Meanwhile some things have
stayed the same; the drunken lout
in the street is still somebody's father.
Hey, kid, how does it feel to have a pop
that's a flop? And we had such good ideas

This bed thy center is, these walls, thy sphere,
The tarnished, gaudy, wonderful old work
Of hand, of foot, of lip, of eye, of brow,
That never touch with inarticulate pang
Those dying generations-at their song.
The One remains, the many change and pass
The expiring swan, and as he sings he dies.
The earth, the stars, the light, the day, the skies,
A white-haired shadow roaming like a dream
Limitless out of the dusk, out of the cedars and pines,
Think not of them, thou hast thy music too-

Mother of the unfortunate, mystic form,
Who calm, immutable, like oldest fate,
Sittest, where through the sombre swinging gate
Moans immemorial life's encircling storm.
My heart, sore stricken by grief's leaden arm,
Lags like a weary pilgrim knocking late,
And sigheth--toward thee staggering with its weight--
Behold Love conquered by thy son, the worm!

He stung him mid the roses' purple bloom,
The Rose of roses, yea, a thing so sweet,
Haply to stay blind Change's flying feet,

Oh never weep for love that’s dead
Since love is seldom true
But changes his fashion from blue to red,
From brightest red to blue,
And love was born to an early death
And is so seldom true.

Then harbour no smile on your bonny face
To win the deepest sigh.
The fairest words on truest lips
Pass on and surely die,
And you will stand alone, my dear,
When wintry winds draw nigh.

Sweet, never weep for what cannot be,
For this God has not given.
If the merest dream of love were true

Days of nothingness
Days of clear skies the temperature descending
Days of no telephone calls or all the wrong ones
Days of complete boredom and nothing
is happening
Days of 1967 coming to a close in the frigid condition of chest
cold and cough
drops
Days of afternoons in the life of a young girl
not being on time
Days of daydreams exploding
Days of utter frustration
Days of my film being cursed and myself
with the curse never lifting
Days of closed windows to keep the cold