Skip to main content

Twenty-First Sunday After Trinity

The morning mist is cleared away,
Yet still the face of Heaven is grey,
Nor yet this autumnal breeze has stirred the grove,
Faded yet full, a paler green
Skirts soberly the tranquil scene,
The red-breast warbles round this leafy cove.

Sweet messenger of "calm decay,"
Saluting sorrow as you may,
As one still bent to find or make the best,
In thee, and in this quiet mead,
The lesson of sweet peace I read,
Rather in all to be resigned than blest.

'Tis a low chant, according well
With the soft solitary knell,

Twenty-Fifth Sunday After Trinity

The bright-haired morn is glowing
O'er emerald meadows gay,
With many a clear gem strewing
The early shepherd's way.
Ye gentle elves, by Fancy seen
Stealing away with night
To slumber in your leafy screen,
Tread more than airy light.

And see what joyous greeting
The sun through heaven has shed,
Though fast yon shower be fleeting,
His beams have faster sped.
For lo! above the western haze
High towers the rainbow arch
In solid span of purest rays:
How stately is its march!

Pride of the dewy morning!

Tristitiae

O well for him who lives at ease
With garnered gold in wide domain,
Nor heeds the splashing of the rain,
The crashing down of forest trees.

O well for him who ne'er hath known
The travail of the hungry years,
A father grey with grief and tears,
A mother weeping all alone.

But well for him whose foot hath trod
The weary road of toil and strife,
Yet from the sorrows of his life.
Builds ladders to be nearer God.

Tristia

I have studied the Science of departures,
in night’s sorrows, when a woman’s hair falls down.
The oxen chew, there’s the waiting, pure,
in the last hours of vigil in the town,
and I reverence night’s ritual cock-crowing,
when reddened eyes lift sorrow’s load and choose
to stare at distance, and a woman’s crying
is mingled with the singing of the Muse.

Who knows, when the word ‘departure’ is spoken
what kind of separation is at hand,
or of what that cock-crow is a token,

Trilogy Of Passion 02 Elegy

When man had ceased to utter his lament,

A god then let me tell my tale of sorrow.

What hope of once more meeting is there now
In the still-closed blossoms of this day?
Both heaven and hell thrown open seest thou;
What wav'ring thoughts within the bosom play
No longer doubt! Descending from the sky,
She lifts thee in her arms to realms on high.

And thus thou into Paradise wert brought,

As worthy of a pure and endless life;
Nothing was left, no wish, no hope, no thought,

Here was the boundary of thine inmost strife:

Trilogy Of Passion 01 To Werther

Once more, then, much-wept shadow, thou dost dare

Boldly to face the day's clear light,
To meet me on fresh blooming meadows fair,

And dost not tremble at my sight.
Those happy times appear return'd once more.

When on one field we quaff'd refreshing dew,
And, when the day's unwelcome toils were o'er,

The farewell sunbeams bless'd our ravish'd view;
Fate bade thee go,--to linger here was mine,--
Going the first, the smaller loss was thine.

The life of man appears a glorious fate:
The day how lovely, and the night how great!

Trial by Jury

DRAMATIS PERSONAE

THE LEARNED JUDGE
THE PLAINTIFF
THE DEFENDANT
COUNSEL FOR THE PLAINTIFF
USHER
FOREMAN OF THE JURY
ASSOCIATE
FIRST BRIDESMAID


SCENE - A Court of Justice, Barristers, Attorney, and Jurymen
discovered.

CHORUS

Hark, the hour of ten is sounding:
Hearts with anxious fears are bounding,
Hall of Justice, crowds surrounding,
Breathing hope and fear--
For to-day in this arena,

Transfiguration

Mysterious death! who in a single hour
Life's gold can so refine
And by thy art divine
Change mortal weakness to immortal power!

Bending beneath the weight of eighty years
Spent with the noble strife
of a victorious life
We watched her fading heavenward, through our tears.

But ere the sense of loss our hearts had wrung
A miracle was wrought;
And swift as happy thought
She lived again -- brave, beautiful, and young.

Age, pain, and sorrow dropped the veils they wore
And showed the tender eyes

Transcience

Nay, do not grieve tho' life be full of sadness,
Dawn will not veil her spleandor for your grief,
Nor spring deny their bright, appointed beauty
To lotus blossom and ashoka leaf.

Nay, do not pine, tho' life be dark with trouble,
Time will not pause or tarry on his way;
To-day that seems so long, so strange, so bitter,
Will soon be some forgotten yesterday.

Nay, do not weep; new hopes, new dreams, new faces,
The unspent joy of all the unborn years,
Will prove your heart a traitor to its sorrow,

To Urania

Everything has its limit, including sorrow.
A windowpane stalls a stare. Nor does a grill abandon
a leaf. One may rattle the keys, gurgle down a swallow.
Loneliness cubes a man at random.
A camel sniffs at the rail with a resentful nostril;
a perspective cuts emptiness deep and even.
And what is space anyway if not the
body's absence at every given
point? That's why Urania's older than sister Clio!
In daylight or with the soot-rich lantern,
you see the globe's pate free of any bio,
you see she hides nothing, unlike the latter.