metaphor

This is where the typhoon starts—
inside the fourth paragraph,
ten city blocks away,

where the neurosurgeon halfs
La Celestina, where you occupy
the spot under that Tiffany lamp,

where Edgar Rice Burroughs laughs,
where sugar cane is thigh
high, where you apply lipstick,

where the address numbers
are transposed, where hearts
take on airs of Parisian avenues,

where Mexican silver coins
are exchanged for salt, where
there is no fine line between art

We who travel between worlds
lose our muscle and bone.
I was wheeling a barrow of earth
when agony bayoneted me.

I could not sit, or lie down,
or stand, in Casualty.
Stomach-calming clay caked my lips,
I turned yellow as the moon

and slid inside a CAT-scan wheel
in a hospital where I met no one
so much was my liver now my dire
preoccupation. I was sped down a road.

of treetops and fishing-rod lightpoles
towards the three persons of God

One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and
metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts,
Can't seem just to say that anything is the thing it is but have to
go out of their way to say that it is like something else.
What does it mean when we are told
That that Assyrian came down like a wolf on the fold?
In the first place, George Gordon Byron had enough experience

In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.

Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken.  People use their own words.

Latin letters are in it for names, for e.g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure

have escaped their toilet doors.  I (that is, saya,
Ego, watashji wa) am two eyes without pupils;

No not to-night, dear child; I cannot go;
I'm busy, tired; they knew I should not come;
you do not need me there. Dear, be content,
and take your pleasure; you shall tell me of it.
There, go to don your miracles of gauze,
and come and show yourself a great pink cloud.

So, she has gone with half a discontent;
but it will die before her curls are shaped,
and she'll go forth intent on being pleased,
and take her ponderous pastime like the rest--
patient delightedly, prepared to talk

WELL then! I now do plainly see
   This busy world and I shall ne'er agree.
The very honey of all earthly joy
Does of all meats the soonest cloy;
   And they, methinks, deserve my pity
Who for it can endure the stings,
The crowd and buzz and murmurings,
   Of this great hive, the city.

Ah, yet, ere I descend to the grave
May I a small house and large garden have;
And a few friends, and many books, both true,
Both wise, and both delightful too!
   And since love ne'er will from me flee,

An excellent soldier who's worthy the name
Loves officers dashing and strict:
When good, he's content with escaping all blame,
When naughty, he likes to be licked.

He likes for a fault to be bullied and stormed,
Or imprisoned for several days,
And hates, for a duty correctly performed,
To be slavered with sickening praise.

No officer sickened with praises his CORPS
So little as MAJOR LA GUERRE -
No officer swore at his warriors more
Than MAJOR MAKREDI PREPERE.

...
Thus from a mixture of all kinds began,
That het'rogeneous thing, an Englishman:
In eager rapes, and furious lust begot,
Betwixt a painted Britain and a Scot.
Whose gend'ring off-spring quickly learn'd to bow,
And yoke their heifers to the Roman plough:
From whence a mongrel half-bred race there came,
With neither name, nor nation, speech nor fame.
In whose hot veins new mixtures quickly ran,
Infus'd betwixt a Saxon and a Dane.
While their rank daughters, to their parents just,

TELL me not of a face that 's fair,
   Nor lip and cheek that 's red,
Nor of the tresses of her hair,
   Nor curls in order laid,
Nor of a rare seraphic voice
   That like an angel sings;
Though if I were to take my choice
   I would have all these things:
But if that thou wilt have me love,
   And it must be a she,
The only argument can move
   Is that she will love me.

The glories of your ladies be
   But metaphors of things,
And but resemble what we see

She said: the pitying audience melt in tears,
But Fate and Jove had stopp'd the Baron's ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fix'd the Trojan could remain,
While Anna begg'd and Dido rag'd in vain.
Then grave Clarissa graceful wav'd her fan;
Silence ensu'd, and thus the nymph began.
"Say, why are beauties prais'd and honour'd most,
The wise man's passion, and the vain man's toast?