poem

This is where the typhoon starts—
inside the fourth paragraph,
ten city blocks away,

where the neurosurgeon halfs
La Celestina, where you occupy
the spot under that Tiffany lamp,

where Edgar Rice Burroughs laughs,
where sugar cane is thigh
high, where you apply lipstick,

where the address numbers
are transposed, where hearts
take on airs of Parisian avenues,

where Mexican silver coins
are exchanged for salt, where
there is no fine line between art

some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply

Stone-cutters fighting time with marble, you foredefeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain. The poet as well
Builds his monument mockingly;
For man will be blotted out, the blithe earth die, the brave sun
Die blind and blacken to the heart:
Yet stones have stood for a thousand years, and pained thoughts found
The honey of peace in old poems.

TO the leaven'd soil they trod, calling, I sing, for the last;
(Not cities, nor man alone, nor war, nor the dead,
But forth from my tent emerging for good--loosing, untying the tent-
ropes;)
In the freshness, the forenoon air, in the far-stretching circuits
and vistas, again to peace restored,
To the fiery fields emanative, and the endless vistas beyond--to the
south and the north;
To the leaven'd soil of the general western world, to attest my
songs,

My poem may be yours indeed
In melody and tone,
If in its rhythm you can read
A music of your own;
If in its pale woof you can weave
Your lovelier design,
'Twill make my lyric, I believe,
More yours than mine.

I'm but a prompter at the best;
Crude cues are all I give.
In simple stanzas I suggest -
'Tis you who make them live.
My bit of rhyme is but a frame,
And if my lines you quote,
I think, although they bear my name,
'Tis you who wrote.

This poem is intended as a description of a sort of Blashfield mural painting on the sky. To be sung to the tune of Yankee Doodle, yet in a slower, more orotund fashion. It is presumably an exercise for an entertainment on the evening of Washington's Birthday.


Dawn this morning burned all red
Watching them in wonder.
There I saw our spangled flag
Divide the clouds asunder.
Then there followed Washington.
Ah, he rode from glory,
Cold and mighty as his name
And stern as Freedom's story.
Unsubdued by burning dawn

She'd bring to me a skein of wool
And beg me to hold out my hands;
so on my pipe I cease to pull
And watch her twine the shining strands
Into a ball so snug and neat,
Perchance a pair of socks to knit
To comfort my unworthy feet,
Or pullover my girth to fit.

As to the winding I would sway,
A poem in my head would sing,
And I would watch in dreamy way
The bright yarn swiftly slendering.
The best I liked were coloured strands
I let my pensive pipe grow cool . . .
Two active and two passive hands,

Without you every morning would feel like going back to work after a holiday,
Without you I couldn't stand the smell of the East Lancs Road,
Without you ghost ferries would cross the Mersey manned by skeleton crews,
Without you I'd probably feel happy and have more money and time and nothing to do with it,
Without you I'd have to leave my stillborn poems on other people's doorsteps, wrapped in brown paper,
Without you there'd never be sauce to put on sausage butties,

Either at my friend's daughter's
sixteen-year-old body dumped
on the morgue slab, T-shirt
stuck fast to one ripped
breast I identified quick, and then
got out of there

or at the old gentleman
with tubes in the living room, spittle
stained in his wispy
beard, out of
the corner of my eye I hardly
notice it, how

could I, drink in hand
at five-thirty, at the least
sign of pain one of us always itches
to turn away, another turns
over in sleep, groans
O, we who are so lucky