water

He gives me such a bold and curious look,
That young American across the way,
As if he'd like to put me in a book
(Fancies himself a poet, so they say.)
Ah well! He'll make no "document" of me.
I lock my door. Ha! ha! Now none shall see. . . .

Pictures, just pictures piled from roof to floor,
Each one a bit of me, a dream fulfilled,
A vision of the beauty I adore,
My own poor glimpse of glory, passion-thrilled . . .
But now my money's gone, I paint no more.

For three days past I have not tasted food;

Under the light of the silver moon
We two sat, when our hearts were young;
The night was warm with the breath of June,
And loud from the meadow the cricket sung,
And darker and deeper, oh, love, than the sea,
Were your dear eyes, as they beamed to me.

The moon hung clear, and the night was still:
The waters reflected the glittering skies;
The nightingale sang on the distant hill;
But sweeter than all was the light in your eyes -
Your dear, dark eyes, your eyes like the sea -

Water ruffled and speckled by galloping wind
Which puffs and spurts it into tiny pashing breaks
Dashed with lemon-yellow afternoon sunlight.
The shining of the sun upon the water
Is like a scattering of gold crocus-petals
In a long wavering irregular flight.

The water is cold to the eye
As the wind to the cheek.

In the budding chestnuts
Whose sticky buds glimmer and are half-burst open
The starlings make their clitter-clatter;
And the blackbirds in the grass

Don't tell a camel about need and want.

Look at the big lips
pursed
in perpetual kiss,
the dangerous lashes
of a born coquette.

The camel is an animal
grateful for less.

It keeps to itself
the hidden spring choked with grass,
the sharpest thorn
on the sweetest stalk.

When a voice was heard crying in the wilderness,

when God spoke
from the burning bush,

the camel was the only animal
to answer back.

Dune on stilts,

Sweet water-moons, blown into lights
   Of flying gold on pool and creek,
And many sounds and many sights
   Of younger days are back this week.
I cannot say I sought to face
   Or greatly cared to cross again
The subtle spirit of the place
   Whose life is mixed with Rose Lorraine.

What though her voice rings clearly through
   A nightly dream I gladly keep,
No wish have I to start anew
   Heart fountains that have ceased to leap.
Here, face to face with different days,

O listen, listen, ladies gay!
No haughty feat of arms I tell;
Soft is the note, and sad the lay
That mourns the lovely Rosabelle.

‘Moor, moor the barge, ye gallant crew!
And, gentle lady, deign to stay!
Rest thee in Castle Ravensheuch,
Nor tempt the stormy firth to-day.

‘The blackening wave is edged with white;
To inch and rock the sea-mews fly;
The fishers have heard the Water-Sprite,
Whose screams forebode that wreck is nigh.

‘Last night the gifted Seer did view

At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock

just below
the gun-metal blue window
and immediately there is an echo

off in the distance,
then one from the backyard fence,
then one, with horrible insistence,

grates like a wet match
from the broccoli patch,
flares,and all over town begins to catch.

Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,

where in the blue blur

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind

Up from the bronze, I saw
Water without a flaw
Rush to its rest in air,
Reach to its rest, and fall.

Bronze of the blackest shade,
An element man-made,
Shaping upright the bare
Clear gouts of water in air.

O, as with arm and hammer,
Still it is good to strive
To beat out the image whole,
To echo the shout and stammer
When full-gushed waters, alive,
Strike on the fountain's bowl
After the air of summer.

The reason to be autonomous is to stand there,
a cleared instrument, ready to act, to search

the moral realm and actual conditions for what
needs to be done and to do it: fine, the

best, if it works out, but if, like a gun, it
comes in handy to the wrong choice, why then

you see the danger in the effective: better
then an autonomy that stands and looks about,

negotiating nothing, the supreme indifferences:
is anything to be gained where as much is lost: